下面是小编为大家推荐的河南南阳武侯祠导游词，本文共8篇，欢迎大家分享。
篇1：南阳武侯祠导游词
各位朋友：
早上好！现在，我就带大家去游览位于南阳市西郊卧龙岗上的武侯词。南阳武侯祠，又名诸葛草庐，是三国时期著名的政治家、军事家诸葛亮“躬耕于南阳”时留下的故址，当年刘皇叔三顾之处，也是历代人们瞻仰和祭把诸葛亮的地方。
诸葛亮(181-234年)，字孔明，汉末山东琅琊阳都(今山东沂水县南)人。他幼年丧父，后随叔父诸葛玄投奔荆州牧刘表。诸葛玄去世后，诸葛亮便带着弟弟诸葛均在南阳卧龙岗结庐躬耕，过着“苟全性命于乱世，不求闻达于诸侯”的布衣生活。但他广交天下名士，满腹经纶，腹藏良谋，隐居求志，宁静致远。当时的大名士庞德公把他比为一条待时腾飞的“卧龙”。汉建安十二年(2)，刘备、关羽、张飞三顾茅庐，拜请诸葛亮，自此，二十七岁的诸葛亮离开了躬耕十载的卧龙岗，参加了刘备的政治集团，后官拜蜀汉丞相，爵封武乡侯，死后溢“忠武侯”，因此历代诸葛亮祠庙均称为“武侯祠”。
据清康熙《龙岗志》记载，武侯祠始建于魏晋后期，经历代的不断修缮和增建，形成了现在的规模，今天我们看到的武侯祠，共占地200余亩，殿房150多间，检联70多副，碑刻300余块，是我国纪念诸葛亮最大的古建筑群。今日的武侯祠保持的'基本上是元明的布局风格，其木构建筑多为明、清重建或增建。祠院依岗而建，南滨白河，北障紫山，地势开阔，势如卧龙。院内丛竹视讽，松柏森森，潭水清碧，景色宜人，优美的自然风光与脍炙人口的人文景观交相辉映，令人流连忘返。
好了，各位团友，现在我们已经来到了武侯祠的人口，大家看这座“千古人龙”石坊，高9米，面阔13.5米，三门四柱，遍体布满雕饰。“千古人龙”的意思是指诸葛亮是人中之龙，隐喻卧龙岗是藏龙卧虎之地。大家看这第二道坊为“三顾坊”，清道光年间所立，两面刻有“汉昭烈皇帝三顾处”和“真神人”，是为了纪念刘备三顾纳贤而立。“士为知己者死”，正是由于刘备这诚恳的三顾，才使得诸葛亮离开了隐居十年的卧龙岗，辅佐刘备，戎马一生，鞠躬尽瘁，死而后已，刘备才能三分天下，成就帝业，诸葛亮因而功高盖世，万古流芳。刘备在尊重知识，尊重人才方面是实实在在，没有停留在口头上，这个优点可真的值得我们当今的一些领导学习呀！“真神人”三个字，出自苏轼《武候庙记》颂扬诸葛亮的一段话“人也，神也，仙也，吾不知之，真卧龙也。”大家看石坊北边的卧龙潭，那些边有三棵古楸树，相传是当年刘、美、张三顾时系马的树，现在还存在的那一棵，大家猜一猜，1700多年前，树上拴的是谁的马呢?
穿过三顾坊，走过仙人桥，这条甫道直通山门。山门为武侯祠正门，古朴端庄，正中券门额上石匾镌刻的“武侯祠”三个大字，系郭沫若先生所题。过了山门，即进入武侯祠的第一进院落，庭院宽敞，古柏蔽日，青砖墁地，古朴自然。院中甬道上“三代遗才”石坊与大拜殿相对应。这里是赞扬诸葛亮的才能和品德可与三代的贤人伊尹、吕尚、傅说等相比。我们转过来再看“韬略宗师”四个大字，韬略原指中国古代兵书《六韬》和《三略》，后世用来指用兵的谋略，这里也是赞扬诸葛亮的文韬武略的。
当时的刘备，以自己是汉室后裔，打着正统的旗号，请求国家统一，他四海飘零，奔走了二十多年，先后投曹操，奔袁绍，附刘表，终因势单力薄，一事无成，败居新野，难筹大志，但仍雄心勃勃，四处访贤。
后来，经徐庶举荐，得知诸葛亮的大名之后，就冒着严寒，词谦礼恭，亲自由新野到南阳支产三次恭请，大有商汤请伊尹、文王栽太公的诚心与胸怀，迫切而又热情地邀请诸葛亮出山辅佐自己，诸葛亮见他求贤若渴，志向远大，就答应了他的要求。正如唐代李白诗中写的那样：“鱼水三顾合，风云四海生。武侯立眠蜀，壮志吞咸京。”
明陈正伦《卧龙岗》诗云：“君臣一晤交投厚，宇宙三分割据雄”。三顾晤对真可以说是一次历史性的会谈，可以毫不夸张地说，千军易得，一将难求，刘备能够建立西蜀霸业，关键是得到了诸葛亮这个智囊人物。大家看三顾堂里的.这组雕塑，不正是“智能之土，思得名君”，“名君圣主，求贤用能”的赞歌吗?我们今天参观的诸葛草庐，不仅是诸葛亮隐居躬耕的地方，也是诸葛亮政治、军事思想形成的地方，是“三分天下”的策源之地，是刘备、诸葛亮三顾而合，如鱼得水的场所，因此历朝历代，这里也就成了人们纪念诸葛亮的重要场所。武侯祠里的人物塑像，个个性格鲜明，惟妙惟肖，内心世界，各具其妙。
当然，最吸引人的还有廊壁间镶嵌的300余通碑刻和殿堂上数不清的匾额楹联，这些碑刻刀法细腻，很多匠额楹联在书法上也有相当深的造诣。像岳少保书写的《出师表》、“还我河山”，郑板桥的“难得糊涂”等，笔体苍劲，洒脱俊逸，历来受到国内外书法爱好者的称赞和推祟。楹联中还有不少佳作耐人寻味。所有这些，使南阳武侯祠成为全国现存祠庙中规模较大，文物价值较高、文化内涵极为丰富的一处人文景观，处处都闪耀着中国古老文化的灿烂光辉。
龙岗之游，若仅流连于松柏奇花之间，陶醉于亭台楼阁之中，而忘了欣赏武侯祠中的碑、联、匠，那就像入宝山空手而归，真是一大憾事。风和日丽，漫步武侯词中，“从容细看平沙处，可有先生旧马蹄”，你有什么感受?我们中华民族有着五千年的文明史，五千年构成了漫长的历史长河。在这长河中出现了数不尽的风流人物。然而，大浪淘沙，淹没在历史河床中的，也同样数不清，道不尽，而极少有像诸葛亮这样不仅能沿着历史的长河从中古走到现代，而且还能走向千家万户，走进千千万万人的心里。
各位团友，诸葛亮淡泊明志，正直廉洁的美德千古传诵;鞠躬尽瘁、死而后已的赤诚感天动地，化作了历史的永恒。他是中国人乃至东方人心目中智慧、忠诚、仁勇的化身，史学家称他为政治、军事、经济的三绝，在中华文明史上独领风骚，被后世誉作“千古第一完人”。
让人仰慕不已的诸葛亮，叫人说不完道不尽的武侯传奇……其人虽已殁，千载有余情！
篇2：南阳武侯祠英语导游词
Now we come to this beautiful courtyard, which is the new Nanyang Han painting gallery opened on December 28, . Nanyang Han painting museum is the first art museum in China to collect and display stone carvings of Han Dynasty. Founded in 1935, it is one of the early art museums in China. With its rich collection and unique artistic style, it has long been the focus of scholars at home and abroad, and has a wide range of social influence. The old museum was originally located in WoLonggang in the western suburb of Nanyang City, covering an area of 2700 square meters. Now we enter the courtyard through the gate que of imitating Han Dynasty. The magnificent building in front of us is 118 meters wide from north to South and 21 meters high in the middle. It covers an area of 80 mu and has nearly 3000 stone carvings of Han Dynasty, accounting for one third of the country. At present, what is open is the basic display part of the first floor complex, including 119 national first-class products. It is the largest Han Dynasty painting and stone carving art exhibition hall in China. OK, let's step into the picture now and take a look at the eternal situation. You can see that the two precious large stone beasts “Tianlu” and “fenxie” in the hall have experienced more than years of vicissitudes. They are the unique large-scale round sculpture of Han Dynasty in China. These two stone beasts, with tiger head and phoenix tail, scale body and wings, are simple and lifelike. Don't look down on them. These two stone beasts have already attracted the attention of the world as early as the Tang Dynasty. These two carved stone beasts were mentioned in emperor Xiaoling, Ji Gu Lu by Ouyang Xiu of the Northern Song Dynasty and Mengxi Bi Tan by Shen Kuo.
As we all know, Nanyang basin is located at the intersection of Henan, Hubei and Shaanxi provinces. It is rich in natural products, fertile land, crisscross rivers, suitable climate, and convenient land and water transportation. Since ancient times, Nanyang Basin has been one of the areas with advanced economy, culture, science and technology in China, and it is also a famous strategic place. As early as the Warring States period, Nanyang's iron smelting technology was quite well-known. In the Western Han Dynasty, Nanyang's iron smelting, water conservancy and agricultural production had further development. “On salt and iron” said that “Wan (Nanyang) zhouqilu, business all over the world, rich crown in the sea”, has become one of the most prominent commercial cities in China. Liu Xiu, the Guangwu emperor of the Eastern Han Dynasty, made his fortune in Nanyang, and most of the 28 generals of Liu Xiu came from Nanyang. According to incomplete statistics, there were 47 marquis in Nanyang in the Han Dynasty. These Royal relatives, aristocratic families, wealthy businessmen, lived to the utmost of their desire, died more thick burial, competing to build a large tomb. In this way, the style of stone carvings began in the Western Han Dynasty and developed further in the Eastern Han Dynasty. In addition to burying more treasures, puppets, chariots and horses in the tombs for the dead to “enjoy”, the feudal ruling class also launched a large-scale stone tomb chamber with “Zhou Pavilion and heavy gate” style built on the ground. Nanyang Han Dynasty stone carvings are a unique kind of stone carvings that were born and developed from this kind of stone tomb chamber.
Nanyang Han Dynasty stone carvings involve a wide range of subjects, and the content is also very rich. Because Nanyang stone carvings of Han Dynasty mainly adopt the artistic expression method of realism, it can be said that they are the epitome of the society of the two Han Dynasties, and provide us with the theoretical basis for studying the political system, etiquette and customs, economic situation, religious consciousness, literature and calligraphy, fine arts, music, dance, acrobatics, martial arts, drama, architecture, astronomy, education, animal husbandry and veterinary science of the two Han Dynasties Precious visual image data. These Han Dynasty stone carvings are skillfully carved and rich in content. They include pictures of the sun, moon and stars showing the achievements of astronomy in the Han Dynasty; pictures of dance music and acrobatics reflecting the art of song and dance in the Han Dynasty; luxurious life scenes of the rulers of the Han Dynasty, including the first class in gaomen, riding cars and throwing pots at banquets; and pictures of immortality rising and myths and legends showing that the ruling class of the Han Dynasty adored Taoism and witchcraft.
The first thing we entered was the auspicious hall. In the early Han Dynasty, Huang Lao thought was popular. He believed in Taoism and witchcraft, worshipped immortals, served immortals and elixirs, and sought immortality. Therefore, there are many paintings showing the idea of immortality. Look at this picture of “feathered man and beast”, which depicts “feathered man” and “Feilian”. The feather man is a Taoist immortal. He has a few inches of hair. He can rise from the ground to the top of the building and fly to the sky. Feilian is a kind of deity, which can ascend to heaven. Therefore, Feilian is often engraved in places where immortal thoughts are expressed. The head of Feilian in Nanyang Han Dynasty stone reliefs looks like a dragon instead of a dragon, and the body looks like a deer instead of a deer. The body has two wings and drags the tail of a snake. The two Feilian are chasing and running one after the other, with a vivid and natural look. If you look at this picture of “God riding tiger shooting monster”, can you see what's different about its carving techniques? Yes, it's called Yin line carving, which is rare in Han Dynasty stone reliefs. The carving techniques of Nanyang Han Dynasty stone statues mostly belong to the low relief with horizontal and vertical lines, which express the details of the portraits with thick lines. The design of the portrait is bold and ingenious, the lines are rigid and flexible, and the various images in the portrait give people the feeling of ancient clumsy and extensive, vigorous and heroic. In the early Han Dynasty, relief carving and Yin line carving were also used, but this kind of stone was rare, so it became more and more precious.
篇3：南阳武侯祠英语导游词
Now we are going to pay homage to Zhang Heng, an outstanding scientist and famous writer in the Han Dynasty.
Zhang Heng was born and buried in Nanyang. Zhang Heng's tomb is located in Shiqiao Town, 25 kilometers north of Nanyang city. It is 8 meters high and 79 meters long. It is surrounded by brick passageways and octagonal walls. It is surrounded by green pines and cypresses. It is planted all over the garden, covered by green grass, and the cemetery is solemn and quiet. The front of the flower wall is the gate of January. There are two tombstones in front of the gate. One is erected in the Jiajing period of Ming Dynasty, and the other is erected in the Guangxu period of Qing Dynasty. There is a stone inscription written by Guo Moruo in front of the tomb: “such a person with all-round development is also rare in world history. It is admirable to worship him for thousands of years.”
Zhang Heng, the word Pingzi, Nanyang County West e (today's Shiqiao Town) people. He was born in the third year of emperor Zhang's reign (78) and died in the fourth year of emperor Yonghe (139). Zhang Heng is intelligent, quick and eager to learn, erudite and versatile. He has set up a towering monument in the history of science and culture in the world, and is known as “the world's cultural celebrity and China's science leader.”
Luoyang was the capital of the Eastern Han Dynasty. At that time, Luoyang was the political, economic and cultural center of the country. Scholars gathered, schools were like a forest, academic atmosphere was strong, and culture and education were unprecedentedly prosperous. In order to broaden his horizons, Zhang Heng visited Luoyang in March of Yangchun in the sixth year of emperor Yongyuan (1994). This time he lived in Luoyang for six years. During this period, he spent his main energy on traveling to Taixue, visiting famous teachers, seeking friends, learning modestly and studying assiduously.
He was proficient in Five Classics (Yi, Shu, Shi, Li, Chunqiu) and Six Arts (Li, Yue, she, Yu, Shu, Shu). With the help of his good friend Cui yuan, he began to study astronomy, mathematics and calendar in natural science. He wrote a lot of beautiful Fu, which initially showed his extraordinary talent and attracted the attention of the society. He has a high attainments in literature and science, which laid the ideological and theoretical foundation for him to become a great scientist.
In the late autumn of A.D. 100, Bao de was transferred to Nanyang Prefecture. Recommended by Cui yuan, 23-year-old Zhang Heng left Luoyang, the capital, and went with Bao De to Nanyang Prefecture as the governor.
In the fifth year of Emperor Han an's Yongchu period (111), Bao de and others played on the Ming emperor in Beijing, which made emperor an know that Zhang Heng was knowledgeable, so he took the bus to Nanyang to enlist Zhang Heng to become a doctor of Shangshutai in Luoyang. Three years later, he was promoted to be shangshilang, and the next year he was changed to Taishiling.
Taishiling was in charge of astronomy, calendar, meteorology and sacrificial ceremonies. This created a very favorable condition for Zhang Heng's in-depth study and practice of astronomical calendar. In 133, Zhang Heng was promoted to serve as a senior advisor to the emperor. In the first year of Yonghe (136), Emperor Shun of Han Dynasty, Zhang Heng was expelled from Luoyang, the capital, and became the Prime Minister of Hejian. Zhang Heng came to Luoyang for the second time and lived for 26 years. In these 26 years, although his official position changed several times, he served as the supreme historian for the longest time. He did a lot of scientific research when he was appointed as the imperial historian. Lingtai is the largest Astronomical Observatory in China during the Eastern Han Dynasty, which was used for 250 years. Zhang Heng not only wrote some important scientific works such as Lingxian, earthquake countermeasures, and notes on the armillary sphere, but also designed and created some ingenious instruments such as the armillary sphere and the Houfeng seismograph, making outstanding contributions to mankind.
In Lingxian, Zhang Heng explained in detail the natural phenomena of the change of lunar phenomena and the occurrence of lunar eclipse. After scientific analysis, many scientific opinions are put forward. He recorded the stars in the sky when he was observing in Lingtai. There are 2500 brighter stars, 124 regular stars and 320 named stars. This is roughly the same as the statistics of modern astronomy that 2500-3000 stars can be seen with the naked eye at the same time and place. The number of stars observed in Luoyang at that time is basically the same as that observed in modern times. Therefore, he also drew the Lingxian map, which is the earliest star map in China.
篇4：南阳武侯祠英语导游词
Good morning, everyone! Now, I will take you to visit Wuhou Ci, which is located in WoLonggang, the western suburb of Nanyang city. The temple of marquis Wu in Nanyang, also known as Zhuge cottage, is the former site of Zhuge Liang, a famous statesman and militarist in the Three Kingdoms period, who “worked hard in Nanyang”. The place where uncle Liu visited three times in those days was also the place where people in the past dynasties paid homage to and sacrificed Zhuge Liang.
Zhuge Liang (181-234), with the name of Kongming, was born in Yangdu, Langya County, Shandong Province (now the south of Yishui County, Shandong Province) in the late Han Dynasty. He lost his father when he was young, and then went to Mu Liubiao in Jingzhou with his uncle zhugexuan. After Zhuge Xuan's death, Zhuge Liang and his younger brother Zhuge all worked in Jielu, WoLonggang, Nanyang, and lived a life of cloth clothes that “lived in troubled times and did not seek fame and fame from Princes”. However, he made friends with famous people all over the world. He was full of wisdom and good intentions. He lived in seclusion and pursued ambition. Mr. pound, a famous scholar at that time, compared him to a “Wolong” waiting for time to take off. In 207, Liu Bei, Guan Yu and Zhang Fei paid homage to Zhuge Liang in Maolu. Since then, Zhuge Liang, 27, left WoLonggang, where he had been working for ten years, and joined Liu Bei's political group. Later, he became the Prime Minister of Shu Han and became the Marquis of Wuxiang. After his death, he became loyal to the marquis. Therefore, Zhuge Liang's ancestral temple is called “Marquis Temple”.
According to the records of Emperor Kangxi of the Qing Dynasty, Wuhou Temple was built in the late Wei and Jin Dynasties. Through the continuous repair and construction of generations, it has formed its present scale. Today, we see Wuhou Temple, covering an area of more than 200 mu, with more than 150 halls, more than 70 procuratorial couplets and more than 300 inscriptions. It is the largest ancient architectural complex in memory of Zhuge Liang in China. Today's Wuhou Temple maintains the layout style of the yuan and Ming Dynasties, and its wooden buildings are mostly rebuilt or added in the Ming and Qing Dynasties. The ancestral temple is built in accordance with the hillock, with Baihe River in the South and Zishan mountain in the north. The courtyard is surrounded by bamboo trees, pines and cypresses, clear water and pleasant scenery. The beautiful natural scenery and popular cultural landscape complement each other, making people forget to return.
Well, members of the group, now we have come to the population of Wuhou Temple. Look at this “Eternal Dragon” stone square, which is 9 meters high and 13.5 meters wide. It has three doors and four columns and is full of carvings. “Eternal Dragon” means that Zhuge Liang is the dragon among the people, metaphorically WoLonggang is the land of Hidden Dragon and crouching tiger. You can see that the second Daofang is called “Sangu Fang”. It was set up during the reign of Emperor Daoguang of the Qing Dynasty. On both sides, it is engraved with “Sangu Chu, Emperor zhaolie of the Han Dynasty” and “true God Man”. It is to commemorate Liu Bei's three talents. It is because of Liu Bei's sincere consideration that Zhuge Liang left WoLonggang, where he had lived in seclusion for ten years, to assist Liu Bei. He devoted his whole life to the army and died. Only when he died, could Liu Bei divide the world into three parts and achieve the imperial career. Therefore, Zhuge Liang's achievements are unparalleled. Liu Bei's respect for knowledge and talents is real, not just verbal. This advantage is really worth learning from some of our leaders today! The three words “true God and man” come from Su Shi's eulogy of Zhuge Liang: “man, God, immortal, I don't know, true Wolong.” Take a look at wolongtan in the north of Shifang. There are three ancient catalpa trees on those sides. It is said that they were the trees that Liu, Mei and Zhang Sangu used to tie horses in those days. Now there is another one. Guess who's horse was tied to the trees more than 1700 years ago?
Through sangufang and Xianren bridge, this road leads to the mountain gate. The mountain gate is the main gate of Wuhou Temple, which is simple and dignified. The three characters “Wuhou Temple” engraved on the stone plaque on the forehead of the central gate are inscribed by Mr. Guo Moruo. After the mountain gate, the first courtyard to enter Wuhou Temple is spacious, with ancient cypresses covering the sun and green bricks covering the ground, which is simple and natural. The stone square of “three generations of talents” on the corridor in the courtyard corresponds to the hall of worship. This is to praise Zhuge Liang's talent and moral character, which can be compared with Yiyin, LV Shang, Fu Shuo and so on. Let's turn around and look at the four big characters of “master of military strategy”. Military strategy originally refers to the ancient Chinese military books and military tactics, and later used to refer to military tactics. Here is also a praise for Zhuge Liang's military strategy.
Members, this is the hall of worship, which is the main building of Wuhou Temple. At the main entrance of the Dabai hall, there is a plaque in the running script of Liao Wenjin, the magistrate of Nanyang in the third year of Daoguang reign of the Qing Dynasty (1823). Inside the hall, there is a statue of Kong mingduan sitting on the front. He has a silk napkin and a feather fan, and his demeanor is solemn. It is the typical costume of the hermit Confucians in the late Eastern Han Dynasty. On the left is his eldest son Zhuge Zhan, and on the right is his eldest grandson Zhuge Shang. The pillars under the eaves of the hall are covered with couplets and plaques of celebrities and poets of past dynasties, which are full of the world's respect and admiration for Zhuge Liang.
Look at this pair: “Lv Panxi yixinye King Zuo Qi's talent has been followed by Wan Langya's winner, Chang Jing Lun Bu Huan, and Qi Bao's uncle Zheng Zipi's holy gate's promise is also in line with Xu Yuan's direct view of the virtuous and able people's efforts.”. This couplet eulogizes LV Shang, Yi Yin, Guan Zhong and Zhuge Liang, who can help the emperor to turn the tide and run the country. It also eulogizes Bo Le, who recommends talented people like Bao Shuya, Zheng Zipi and Xu Yuanzhi. It has profound implications and enlightens people.
Look at this pair: “standing between Xinye and Weibin, I read that I was a master of two dynasties. I was surprised by Sima. Jielu was singing Liang's father in the white water of Zifeng. The wind and cloud rose from Wolong for thousands of years.” Here, product refers to grade and grade.
Xinye Weibin refers to Yiyin and lvshang when they lived in seclusion. The two dynasties refer to Liu Bei and Liu Chan. Jing Sima refers to the use of wooden statues after Zhuge Liang's death, which made Sima Yi dejected. In the second couplet, Zifeng Baishui refers to Zishan and Baihe in the suburbs of Nanyang. Qu Yin, Liang Fu, or Yinyong, tells the story of Qi Xiangman Ying killing three scholars with two peaches. It is said that it was written by Zhuge Liang. This couplet fully praises Zhuge Liang's lofty integrity and great achievements. When he lived in seclusion, he was indifferent to his ambition, quiet and farsighted, which could be compared with the noble behavior of Yiyin and lvshang. He built the thatched cottage at the foot of Zishan mountain and the Bank of Baihe River. He compared himself with Guan Zhong and Leyi, and people like Jiang Ziya and Zhang Zifang, who had been prosperous for 800 years in Zhou Dynasty and 400 years in WangHan Dynasty I know that “thatched cottage pair” talks about the world's situation and strategic decision-making, which shows his political foresight and great talent; how strong and fierce his mind is, moving tears! With the spirit of dedicating himself to death, he helped the two emperors to establish the great cause of Shuhan.
Just imagine that it was Liu, Guan and Zhang who came here to look after the cottage that led to Zhuge Liang's official career and the magnificent and colorful history of the war of the Three Kingdoms. Despite thousands of years of vicissitudes and vicissitudes, Zhuge's great name is still in the universe, and the stories of the three kingdoms are popular all over the world. Zhuge Liang's political, military and governing strategies are the precious spiritual wealth of the Chinese nation. Zhuge Liang's immortal reputation is always worthy of people's memory. At this moment, standing in the temple of marquis Wu and remembering the great cause of Kong Ming's life, why don't we go back to ancient times and think about the time when Zhuge Liang lived in seclusion in wolonggangtou, Nanyang, studied hard history books, looked around the world, set great ambitions and cared about the people's livelihood, and spent his youth here. In the last years of the Shu Han Dynasty, however, there was a Dou who could not support him. In addition, his national strength was poor. Although Zhuge Liang was determined to unite the Central Plains, he went out of the Qi Mountain six times, but he could not sing alone. What's more, he lamented that he died of illness after a long hard work. Later generations think about it, all of them feel regret. Just as Du Fu said in his poem, “if you look at the world frequently, you will benefit the old ministers in the two dynasties.”. Before you succeed, you will die first. “The heart is in the court. No matter what the leader is, why should you argue about Xiangyang and Nanyang?”
This is a famous couplet written by Gu Jiaheng in Qing Dynasty. The first couplet says that Zhuge Liang is dedicated to the country, regardless of whether the monarch is the wise Liu Bei or the fatuous a Bandou. The second couplet says that Zhuge Liang is famous forever and praises the world. Why should we distinguish between Xiangyang and Nanyang? This is a historical “case”. It turns out that Zhuge Liang recalled that he said before he left the thatched cottage: “Chen Ben Bu Yi, devoted himself to farming in Nanyang”, but there was another “Longzhong Dui”, which was in Xiangyang, Hubei Province.
As a result, both Nanyang people and Xiangyang people said that Zhuge Liang lived in seclusion in his hometown. Scholars quoted classics one after another and refused to give in to each other. In the Ming and Qing Dynasties, there was a lawsuit. Gu Jiaheng, a native of Hubei Province, was also the magistrate of Nanyang, Henan Province at that time. In order not to offend the people of his hometown, but also not to stab the official land, he had to come to “he xianni” and wrote down this pair of eclectic couplets riding on the wall, asking everyone not to divide Nanyang and Xiangyang, thus alleviating a long-standing dispute. Therefore, this pair of couplets became famous for people's recitation. In 1959, Hu Yao, then Secretary of the Secretariat of the Central Committee of the Communist Youth League, came to Nanyang to inspect his work. He appreciated the couplet and changed it into a couplet: “the heart lies in the people. No matter what the big or small things are, why should we fight for more or less?” The new content given to the revolution by the old form of the ancient name couplet fully embodies the broad mind and noble sentiment of Comrade Hu Yao, the revolutionist of the older generation.
It seems that up to now, Gu Jiaheng's couplet still gives us useful enlightenment. In addition, there are many famous couplets in Wuhou Temple, most of which praise Zhuge Liang's talent and virtue. If these couplets are put together and analyzed vertically and horizontally, it can be said to be an epic of the Three Kingdoms. Such as this pair: set three points, burn Bowang, go out of Qishan, immortal; Qi zhouyu, Ping Sima, capture Menghuo, spread from ancient to modern. There is also a wonderful couplet: collect two rivers, set up eight formations, seven capture and six out. Wuzhang originally set up 49 bright lights, only for the sake of kindness; take western Shu, attack Southern barbarians, and refuse to the East and the north. The Chinese Army's account is sealed with gold, wood and earth, and the water surface can be attacked by fire. The first couplet skillfully uses one, two, three, four, five, six, seven, eight, nine, and ten numbers. The second couplet flexibly uses 10 characters, including East, West, north, South, middle, gold, wood, water, fire, earth, and the whole couplet contains 54 characters. It succinctly expounds Zhuge Liang's life of fighting, which helped Liu Bei and his son to fight in the army after he left the thatched cottage.
Please come here with me to visit the calligraphy of Yue Fei. This is composed of 2l stone tablets. They are exquisitely carved and very spectacular. Chushibiao is Zhuge Liang's memorial to Liu Chan in the fifth year of Jianxing (227 years). It describes his loyalty thought of “devoting all his efforts” to revive the Han Dynasty. It has become an eternal masterpiece with strong appeal. In 1138, Yue Fei, a famous general of the Southern Song Dynasty who fought against Jin Dynasty, passed by Nanyang on his way to fight against Jin Dynasty. After watching chushibiao, he was moved to tears by Zhuge Liang's spirit of working hard and dying. He could not sleep at night. He was filled with emotion. Later, at the request of Taoist, he wrote more than 1300 words of chushibiao in one go Recite and write to express your mind. Its characters are iron and silver, and the Dragon flies and the Phoenix dances. It is natural and graceful, unrestrained and incisive, which shows the superb art of calligraphy. Today, when we visit Wuhou Temple and watch chushibiao, we can not only see Kong Ming's mind and ambition, but also appreciate Yue Fei's calligraphy. It's a great blessing in this life.
Now we go up the steps around the main hall and enter a quiet and beautiful courtyard. The courtyard is surrounded by ancient trees, flowers and cypresses. This octagonal building is the world-famous Zhuge cottage. The thatched cottage is of brick and wood structure, covered with thatch and connected with cloisters, which is simple and crude. A stone tablet in 1478, the 14th year of Chenghua of Ming Dynasty, was erected in lunei. On the front of the stele, seven characters were engraved with “the old Lu of Zhuge and Kongming of Han Dynasty”. A plaque written by Mr. Guo Moruo and the Democratic Party yuan Laoyu was hung in lunei and on the forehead. The eight corners of the thatched cottage are set up and eight wind chimes are hung, with a unique style. Whenever the wind blows gently, the wind chimes jingle, as if telling a story that has been passed down through the ages. We can have a close view of the surrounding scenery when we take a rest in the Lu. The ancients once said that there are eight scenes in one Lu. Eight of the ten scenes in WoLonggang can be seen here: Gubai Pavilion, yeyundi, banyuetai, Gonggeng Pavilion, Xiaohong bridge, Baoxi stone, Laolong cave, etc., which are built around the Lu, forming the trend of many stars arching the moon. Although these scenic spots are located in the same courtyard, there is no sense of congestion and embarrassment. The steles and corridors are connected with each other. They are opposite to each other, forming a beautiful and quiet garden scenery. When you move, you can guide the scenery, showing the superb gardening art of the ancients.
At the right back of the thatched cottage, it is a brick and stone structure with a table structure. The plane is square and the height is about several feet. It can spiral up along the stairway. There is a brick wall pattern platform on it. You can watch the sky from a distance by relying on the railing. Zhuge Liang, who knew astronomy and geography, was good at making use of natural phenomena such as wind, rain and fog to serve the war. Folk stories such as grass boat borrowing arrows and offering sacrifices to the east wind were well known to women and children. There is a poem in the Qing Dynasty praising it: “the moon in the Han Dynasty is hollowed out to show the blue sky. With a high view, you can see the cold smoke. You can see the water in the forest and wait for the full moon.” The front of the platform is a semi-circular brick gate with three characters of “banyuetai” written by Gu Jiaheng embedded on it and a half moon pattern on the side. On both sides, it is engraved with the couplet “since the universe, how many cloth clothes can make the mountains and rivers colorful? What's wrong with the humble room?” which evolved from Liu Yuxi's “this is the humble room, only my Dexin” and “zhugelu in Nanyang, Ziyun Pavilion in Xishu, Confucius said: what is the humble room.”.
Dear tourists, now we come to Ningyuan building, also known as Qingfeng building. Sitting at the end of the central axis, it is the highest building of the whole temple. It is said that it is the former site of Zhuge Liang's study when he lived in seclusion in Nanyang. The name of the building comes from “quiet Zhiyuan”. The plaque of “eternal cloud” originated from Du Fu's poem “Ode to historic sites”: “the great name of Zhuge falls down to the universe, the portraits of Zong Chen are lofty, the three separate regimes are fiber planning, and the eternal cloud has a feather.” On the doorpost hung a famous couplet written by Zhao fan, the salt tea envoy of Sichuan in the Qing Dynasty, at Wuhou Temple in Chengdu: “if you can attack the heart, the opposite will disappear. Since ancient times, you know that soldiers are not belligerent. If you don't judge the situation, you will be lenient and strict. You have to think deeply about how to govern Sichuan.”
When Zhuge Liang was in the southern expedition, Ma Shi once suggested that “attack the heart first, attack the city first, fight the heart first, and fight the Army second”. Zhuge Liang adopted this suggestion, and captured and released Meng Huo seven times, which had a soothing effect. Leniency and strictness are the focus of Zhuge Liang's Dafa Zhengshu. After Zhuge Liang helped Liu Bei to establish his political power in Shu, he carried out severe rule of law and carried out various reforms in accordance with the situation of “Liu Zhang was weak in the dark, and the punishment was not severe” and “the local people of Shu were in a state of dictatorship”. At that time, the prefect of Sichuan thought Zhuge Liang's “criminal law was severe” and suggested Zhuge Liang's “punishment should be relaxed” according to Liu Bang's lenient punishment when he entered Sichuan. Zhuge Liang analyzed the history and wrote the book of reply to the law according to the situation. He pointed out that according to the actual situation, we can't copy the lenient punishment of the people of Sichuan, and advocated that the rule of law should be strictly implemented according to the situation of Yizhou at that time. Lianwen spoke highly of Zhuge Liang and emphasized the importance of judging the situation. This couplet is thought-provoking and full of profound and vivid dialectic thoughts of unity of opposites, such as positive and negative, leniency and strictness, harmony and war, cultural administration and martial arts. Therefore, Mao Zedong highly praised this couplet and praised it as a thought-provoking “administrative chapter” and “public security policy”.
Now, let's take a look at Sangu temple. The couplet of “two watches reward three looks, a pair of feet for thousands of years” is hung on the gate post of Sangu temple. In the temple, the cypress stands upright, the grass is as green as fungus, the courtyard is vast and deep, and the surrounding walls are covered with inscriptions, which is known as “stele wall”. In the hall, there are gold statues of Guan Yu and Zhang Fei. Guan Yu has red face and Phoenix eyes. He has beautiful beard and chest. He is calm and relaxed. He is majestic. Zhang Fei's face is dark. He has leopard head and eyes. He has swallow jaw and tiger beard. He is impatient. When it comes to Zhang Fei, he is not a politician. He is not as far sighted as Liu Bei. He does not see the value of Zhuge Liang. When he looked at the hut, he didn't see Kong Ming. He said, “since I didn't see him, I will go back.” He didn't complain. His performance was fair and reasonable. When Liu Bei was ready for the second visit, Zhang Fei said, “measure a villager. Why should my elder brother go by himself? He can be called here.” Liu Bei's criticism
篇5：南阳武侯祠英语导游词
China has a recorded history of some 3，600 years， beginning with the Shang Dynasty(16th——12th century BC)。The first stage is the primitive society。 The history was much associated with the supposed pre-Xia Dynasty(21th-16th centuy BC)。 The second major periob lasted from about 2，000 to 200 BC。 The history dated the beginning of the slave society from the Xia Dynasty， which constituted the first Chinese state。 The third stage extended all the way from 221BC， when Qin Shihuang united China， to the Opium War of 1840。 Historical docments name the third period as the Feusal Imperial Rule。 The feudal society in China passed through a period of disunity beginning at the Three Kingdom Period， and ending in shoet-lived Sui Dynasty(581——618)， Western Jin(265——316)via Eastern Jin(317——439) and the Southern and Northern Dynasties(386——589)。
The following story occurred in the three Kingdom Period。 At the rnd of the Eastern Han Dynasty(25——220) a gtrat peasant revolt happened。 Many local officials developed into warlords to assisty the Han Emperor in suppressing the rebellion。 During this period the watlotds took the opportunity to build uyp their own political and military strengty and made themselves into autonomous regional warlords。 Finally the warlords carved the Han Empire into three kingdoms of Wei， Shu and Wu。 The populous episodic novel，The Romance of the Three Kingdoms traces the rise and fall of the three kingdoms and vividly depicts the turbulent social conditions at that time。 The rulers of the three independent kingdoms struggled for supremacy。 Cao Cao and his son established the kingdom of Wei at Loyang。 He was in actual control of only the North China homeland。 Two rivals soon proclaimed emperors themselves elsewhere。 The kingdom of Wu with its capital in Nanjing occupied dChangjiang Valley， The kingdom of Shu was created with its capital in Chengdu。 Ti was in the control of Sichuan and parts ojf the highland of south China。
Wuhou Temple is much associated with the kingdom of Shu。 It is the place to commemorate Zhu Geliang， Prime Minister of the kingdom。 Wuhou was a top official title conferred upon Zhu Geliang after his death。 It is unfortunate that no historical documents have recorded the time of its establishment。 However， Du Fu， a top Tang Dynasty poet wrote a poem of kwhich two lines say as below:“Where would I find the Prime Minister's shrine?Somewhere outside Jinguan， in a dense cypress glade。”
This poem helps us infer that Zhu Geliang Temple was already in ezistence in the Tang Dynadty。 During the Tang and Song Dynasties Zhu Geliang and Emperor Liu Bei had their independent temples in Chengdu， At the beginning of the Ming Dynasty the two temples merged into one。 Towards the end of the Ming Dynasty the merged tempke was destroyed during war chaos。 The present buildings date from the Qing Dynasty in 1672。 The main entrance gate hangs a horizontal inscribed board。 It says， “Han Zhaolie Temple”。Han refers to the kingdom of Shui; zhaolie was Liu Bei's posthumous title。 The board indicates that the whole temple was built in honor of Liu Bei。 But why do all the people call it Zhu Geliang Tempke instead of Han Zhaolie Temple? It is due to Zhu Geliang's invaluable historical contribution， and his political and military strategies to the development of the kingdom。 In the view of the local peopoe his prestige far gan to call it Zhu Grliang Temple regardless of the emperor's dignity and the temple's original name。 Gtadually more and more people accepted the new name of the temple through common practice。
篇6：南阳武侯祠英语导游词
Good morning, friends! Now, I will take you to visit Wuhou Ci, which is located in WoLonggang, the western suburb of Nanyang city. The temple of marquis Wu in Nanyang, also known as Zhuge cottage, is the former site of Zhuge Liang, a famous statesman and militarist in the Three Kingdoms period, who “worked hard in Nanyang”. The place where uncle Liu visited three times in those days was also the place where people in the past dynasties paid homage to and sacrificed Zhuge Liang.
Zhuge Liang (181-234), whose name is Kongming, was born in Yangdu, Langya County, Shandong Province (now the south of Yishui County, Shandong Province) at the end of Han Dynasty. He lost his father when he was young, and then went to Mu Liubiao in Jingzhou with his uncle zhugexuan. After Zhuge Xuan's death, Zhuge Liang and his younger brother Zhuge all worked in Jielu, WoLonggang, Nanyang, and lived a life of cloth clothes that “lived in troubled times and did not seek fame and fame from Princes”. However, he made friends with famous people all over the world. He was full of wisdom and good intentions. He lived in seclusion and pursued ambition. Mr. pound, a famous scholar at that time, compared him to a “Wolong” waiting for time to take off. In 207, Liu Bei, Guan Yu and Zhang Fei paid homage to Zhuge Liang in Maolu. Since then, Zhuge Liang, 27, left WoLonggang, where he had been working for ten years, and joined Liu Bei's political group. Later, he became the Prime Minister of Shu Han and became the Marquis of Wuxiang. After his death, he became loyal to the marquis. Therefore, Zhuge Liang's ancestral temple is called “Marquis Temple”.
According to the records of longgangzhi written by Kangxi of Qing Dynasty, Wuhou Temple was built in the late Wei and Jin Dynasties. It has been continuously repaired and added to form its present scale. Today, the Wuhou Temple, which we see, covers an area of more than 200 mu, has more than 150 halls, more than 70 procuratorial couplets and more than 300 inscriptions. It is the largest ancient architectural complex in memory of Zhuge Liang in China. Today's Wuhou Temple maintains the layout style of the yuan and Ming Dynasties, and its wooden buildings are mostly rebuilt or added in the Ming and Qing Dynasties. The ancestral temple is built in accordance with the hillock, with Baihe River in the South and Zishan mountain in the north. The courtyard is surrounded by bamboo trees, pines and cypresses, clear water and pleasant scenery. The beautiful natural scenery and popular cultural landscape complement each other, making people forget to return.
Well, members of the group, now we have come to the population of Wuhou Temple. Look at this “Eternal Dragon” stone square, which is 9 meters high and 13.5 meters wide. It has three doors and four columns and is full of carvings. “Eternal Dragon” means that Zhuge Liang is the dragon among the people, metaphorically WoLonggang is the land of Hidden Dragon and crouching tiger. You can see that the second Daofang is called “Sangu Fang”. It was set up during the reign of Emperor Daoguang of the Qing Dynasty. On both sides, it is engraved with “Sangu Chu, Emperor zhaolie of the Han Dynasty” and “true God Man”. It is to commemorate Liu Bei's three talents. It is because of Liu Bei's sincere consideration that Zhuge Liang left WoLonggang, where he had lived in seclusion for ten years, to assist Liu Bei. He devoted his whole life to the army and died. Only when he died, could Liu Bei divide the world into three parts and achieve the imperial career. Therefore, Zhuge Liang's achievements are unparalleled. Liu Bei's respect for knowledge and talents is real, not just verbal. This advantage is really worth learning from some of our leaders today! The three words “true God and man” come from Su Shi's Wu Hou Miao Ji, which praises Zhuge Liang's saying: “human, God, immortal, I don't know, true Wolong.” Take a look at wolongtan in the north of Shifang. There are three ancient catalpa trees on those sides. It is said that they were the trees that Liu, Mei and Zhang Sangu used to tie horses in those days. Now there is another one. Guess who's horse was tied to the trees more than 1700 years ago?
Through sangufang and Xianren bridge, this road leads to the mountain gate. The mountain gate is the main gate of Wuhou Temple, which is simple and dignified. The three characters “Wuhou Temple” engraved on the stone plaque on the forehead of the central gate are inscribed by Mr. Guo Moruo. After the mountain gate, the first courtyard to enter Wuhou Temple is spacious, with ancient cypresses covering the sun and green bricks covering the ground, which is simple and natural. The stone square of “three generations of talents” on the corridor in the courtyard corresponds to the hall of worship. This is to praise Zhuge Liang's talent and moral character, which can be compared with Yiyin, LV Shang, Fu Shuo and so on. Let's turn around and look at the four big words “master of military strategy”. Military strategy originally refers to the ancient Chinese military books “six Taos” and “three strategies”. Later generations used it to refer to military strategy. Here is also a praise for Zhuge Liang's military strategy.
篇7：导游词南阳武侯祠
这是清人顾嘉衡写下的著名对联。上联是说，诸葛亮一心为国，并不分君主是贤明的刘备还是昏庸的阿半斗;下联说诸葛亮名垂千古，为天下传诵赞扬，又何必分辨什么襄阳、南阳呢?这是说的一桩历史”公案”。原来，诸葛亮在《出师表》中回忆自己未出茅庐时说：“臣本布衣，躬耕于南阳”，但《三国志》上又有一个“隆中对”，隆中在湖北襄阳境内。
于是，南阳人和襄阳人都说诸葛亮是隐居在自己的家乡，文人学者是纷纷引经据典，互不相让，明清时期即打起了笔墨官司。顾嘉衡是湖北人，当时又任河南南阳知府，为了既不得罪故乡人，又不刺伤为官地，只好来个“和稀泥”，写下了这副骑墙的折中对联，要大家不再分南阳襄阳，从而缓解了一场旷日持久的争论，因此这副对联名噪一时，为人们竞相传诵。1959年，当时任团中央书记处书记的胡耀邦来南阳视察工作，对这副对联颇为欣赏，还据此联改了一副对联：“心在人民，原无论大事小事，利归国家，何必争多得少得。”借古人名联的旧形式而赋予革命的新内容，充分体现了老一辈革命家胡耀邦同志的宽广胸襟和高尚情操。
看来直到现在，顾嘉衡这副对联还在给我们以有益的启迪。另外，武候祠还有很多名联，其内容大都是歌颂诸葛亮的才华与德政，若把这些对联拼凑起来，加以纵横分析，可以说是一部三国史诗。如这一副：定三分，烧博望，出祁山，大名不朽;气周瑜，屏司马，擒孟获，古今流传。还有一副妙联：收两川，摆八阵，七擒六出，五丈原设四十九盏明灯，一心只为恩三顾;取西蜀，征南蛮，东和北拒，中军帐按金木土爻之封，水面偏能用火攻。上联巧用了一、两、三、四、五、六、七、八、九、十lo个数字，下联灵活运用了东西南北中、金木水火土10个字，全联共54个字，简练地阐述了诸葛亮出茅庐后辅佐刘备父子戎马倥偬的战斗一生，真可以说是字字珠玑，笔笔传神。
请大家随我到这边来，参观岳飞手书的前后《出师表》。这一共由2l块石碑组成，刻工精良，十分壮观，不可不看。《出师表》是诸葛亮在建兴五年(227年)给后主刘禅上的奏章，畅述了自已为复兴汉室要“鞠躬尽瘁”的忠贞思想，成为“字字中间有涕零”的千古名篇，感染力极强。绍兴八年(1138年)，南宋抗金名将岳飞，在抗金途中路过南阳，“遇雨，随宿于词内”，观看了《出师表》之后，被诸葛亮鞠躬尽瘁、死而后已的精神感动得热泪盈眶，夜不成眠，坐以待旦，感慨万千，后经道人请求，挥涕走笔，把1300余字的前后《出师表》一气呵成，背诵写出，以抒胸臆。其字铁画银勾，龙飞凤舞，潇洒飘逸，奔放淋漓，表现了高超的书法艺术。我们今天游武侯祠，观《出师表》，远相撰词，名将手书，既能见孔明之胸怀志略，又可赏岳飞之翰墨神工，实为今生一大幸事。
现在我们绕过大殿拾阶而上，进入了一处静谧秀丽的院落，院内古木交错，花卉盈庭，翠柏丛中簇拥着这座八角攒尖式建筑，就是闻名于世的诸葛草庐。草庐为砖木结构，茅草盖顶，回廊相通，古朴简陋。庐内竖立明成化十四年(1478年)石碑一通，正面刻有“汉诸葛孔明旧庐”七个大字，庐内及门额上悬挂着郭沫若先生及国民党元老于右任所书的匾额。草庐八角挑起，悬挂八只风铃，以八封阵势别具风格。每当清风轻吹，风铃叮当作响，好像在娓娓叙说着流传千古的一段佳话。我们坐庐中小憩，可近观四周景致，古人曾有“身居一庐八面景”之说，卧龙岗十景中的八景在这里都可以看到：古柏亭、野云底、半月台、躬耕亭、小虹桥、抱膝石、老龙洞等绕庐而建，成众星拱月之势。这些景点虽同置一院，但毫无拥塞局促之感，碑廊相连，错落相间，互为对景，形成绩丽恬静的园林风光，步移则景导，表现出古人高超的造园艺术。
于茅庐右后侧，为台式建筑砖石结构，平面为正方形，高约数丈，沿梯道可盘旋而上，上有砖墙花样平台，凭栏可望远观天。半月台上诸葛亮在此隐居时夜观星象的地方，诸葛亮知天文，晓地理，善于利用风、雨、雾等自然现象为战争服务，草船借箭、祭东风等民间故事，妇孺皆知，脍炙人口。清人有诗赞之：“汉月镂空昭碧天，凭高一望尽寒烟，1U围水匝林梢见，待酌流霞候月圆。”台正面为半圆形砖券门，上嵌顾嘉衡所书“半月台”三字，旁饰半月图案，两侧刻有联“自来宇宙垂名布衣有几，能使山川生色陋室何妨”，盖由唐刘禹锡《陋室铭》“斯是陋室，惟吾德馨”和“南阳诸葛庐，西蜀子云亭，孔子曰：何陋之有”中演化而来。
各位游客，现在我们来到了宁远楼，又名清风楼。它坐在中轴线的末端，为整个祠庙的最高建筑，传为诸葛亮隐居南阳时书斋旧址，楼名由“宁静致远”而来。“万古云霄”匾额，源自杜甫《咏怀古迹》诗：“诸葛大名垂宇宙，宗臣遗像肃高，三分割据纤筹策，万古云霄一羽毛。”门柱上悬挂清四川盐茶使赵藩在成都武侯祠书写的一副名联“能攻心则反侧自消，自古知兵非好战，不审势即宽严皆误，从来治蜀要深思。”
这里的“攻心”的是诸葛亮在南征时，马设曾建议“用兵之首，攻心为上，攻城为下，心战为上，兵战为下”，诸葛亮采纳了这一建议，七擒七放孟获，以攻心收到了安抚的效果。宽严，是诸葛亮《答法正书》论述的中心。诸葛亮帮助刘备在蜀建立政权后，根据“刘璋暗弱，威刑不肃”，“使蜀土人士-，专权自态”的局面，实行了严峻的法治，进行了种.种改革。时的四川太守法正认为诸葛亮“刑法峻急”并以刘邦进川时的宽刑，来建议诸葛亮“刑弛禁”诸葛亮剖析历史，针形势，写出了《答法正书》，指出根据实际情况，不能照搬邦人川时的宽刑，主张针对当时益州的状况，厉行法治。联文在高度评价诸葛亮的同时，又强调了审时度势的重要性。高度概括了诸葛亮治国安邦的经验，极富哲理性和生命力，这副炙人口、言简意赅的楹联耐人寻味，充溢着深刻而生动的正与反、宽与严、和与战、文治与武功等对立统一的辩证法思想，因而，__极力推崇这副对联，誉为发人深思的“施政篇”和“治安策”。
篇8：导游词南阳武侯祠
现在，让我们到三顾祠看一看。三顾祠门柱悬挂“两表酬三顾，一对足千秋”的对联，祠院内翠柏挺立，绿草如菌，庭院宏敞幽深，四周围墙嵌满碑刻，有“碑墙”之称。祠内有关张殿，殿内立关羽、张飞贴金塑像。关羽赤面凤眼，美髯垂胸，神安气闲，雄姿威风，张飞面色漆黑，豹头环眼，燕颌虎须，急不可耐。要说起这个张飞啊，他就不是搞政治的，没象刘备这样有政治家的远见，看不到诸葛亮这个人才的价值。一顾茅庐时没有见到孔明，他说“既不见，自归去便了。”也没有发什么牢骚，表现还算一般，说得过去。到刘备准备二顾时，张飞说：“量一村夫，何必哥哥自去，可使人唤来便了。”遭到刘备的呵斥，差点不让他去。没想到第二次哥仁又吃了闭门羹，到第三次刘备还要去时，他再也忍不住了，说“今番不需哥哥去，他如不来，我只用一条麻绳缚将来!”要是依他的主意，用麻绳把诸葛亮绑来见刘备，那会是什么结果!
“三顾堂”.位于关张殿后，相传达里就是刘备三次求访孔明的地方。殿内有刘备、诸葛亮对话的塑像，二人分宾主而坐，书童侍立侧旁，形象逼真，栩栩如生，再现了备亮当时纵论天下时的情景。你看那神机妙算的谙葛亮，面目清秀，衣着古雅，含而不露的面孔上略带有几分笑意，给人一种温文尔雅，谋略在胸，稳操胜券的感觉，他正意气风发，侃侃而谈;再看刘备，正在毕恭毕敬地洗耳恭听呢。我们一眼就能看出他那如饥似渴，谦逊恭敬的内心世界。
当时的刘备，以自己是汉室后裔，打着正统的旗号，请求国家统一，他四海飘零，奔走了二十多年，先后投曹操，奔袁绍，附刘表，终因势单力薄，一事无成，败居新野，难筹大志，但仍雄心勃勃，四处访贤。后来，经徐庶举荐，得知诸葛亮的大名之后，就冒着严寒，词谦礼恭，亲自由新野到南阳支产三次恭请，大有商汤请伊尹、文王栽太公的诚心与胸怀，迫切而又热情地邀请诸葛亮出山辅佐自己，诸葛亮见他求贤若渴，志向远大，就答应了他的要求。正如唐代李白诗中写的那样：“鱼水三顾合，风云四海生。武侯立眠蜀，壮志吞咸京。”明陈正伦《卧龙岗》诗云：“君臣一晤交投厚，宇宙三分割据雄”。三顾晤对真可以说是一次历史性的会谈，可以毫不夸张地说，千军易得，一将难求，刘备能够建立西蜀霸业，关键是得到了诸葛亮这个智囊人物。大家看三顾堂里的这组雕塑，不正是“智能之土，思得名君”，“名君圣主，求贤用能”的赞歌吗?我们今天参观的诸葛草庐，不仅是诸葛亮隐居躬耕的地方，也是诸葛亮政治、军事思想形成的地方，是“三分天下”的策源之地，是刘备、诸葛亮三顾而合，如鱼得水的场所，因此历朝历代，这里也就成了人们纪念诸葛亮的重要场所。武侯祠里的人物塑像，个个性格鲜明，惟妙惟肖，内心世界，各具其妙。
当然，最吸引人的还有廊壁间镶嵌的300余通碑刻和殿堂上数不清的匾额楹联，这些碑刻刀法细腻，很多匠额楹联在书法上也有相当深的造诣。像岳少保书写的《出师表》、“还我河山”，郑板桥的“难得糊涂”等，笔体苍劲，洒脱俊逸，历来受到国内外书法爱好者的称赞和推祟。楹联中还有不少佳作耐人寻味。所有这些，使南阳武侯祠成为全国现存祠庙中规模较大，文物价值较高、文化内涵极为丰富的一处人文景观，处处都闪耀着中国古老文化的灿烂光辉。龙岗之游，若仅流连于松柏奇花之间，陶醉于亭台楼阁之中，而忘了欣赏武侯祠中的碑、联、匠，那就像入宝山空手而归，真是一大憾事。风和日丽，漫步武侯词中，“从容细看平沙处，可有先生旧马蹄”，你有什么感受?我们中华民族有着五千年的文明史，五千年构成了漫长的历史长河。在这长河中出现了数不尽的风流人物。然而，大浪淘沙，淹没在历史河床中的，也同样数不清，道不尽，而极少有像诸葛亮这样不仅能沿着历史的长河从中古走到现代，而且还能走向千家万户，走进千千万万人的心里。
各位团友，诸葛亮淡泊明志，正直廉洁的美德千古传诵;鞠躬尽瘁、死而后已的赤诚感天动地，化作了历史的永恒。他是中国人乃至东方人心目中智慧、忠诚、仁勇的化身，史学家称他为政治、军事、经济的三绝，在中华文明史上独领风骚，被后世誉作“千古第一完人”。
让人仰慕不已的诸葛亮，叫人说不完道不尽的武侯传奇……其人虽已殁，千载有余情!
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