欢迎来到千学网!
您现在的位置:首页 > 心得体会 > 读后感

二年级的 39 读后感的范文

时间:2022-05-23 12:57:52 读后感 收藏本文 下载本文

【导语】以下是小编收集整理的二年级的 39 读后感的范文(共15篇),仅供参考,欢迎大家阅读。

二年级的 39 读后感的范文

篇1:Lesson 39

Teaching Objectives: Develop the skill of speaking: an interview

Properties: Maps, Pictures of Xinjiang and Tibet

Language Focus: go back in a hurry.

Teaching Procedures:

I. Revision

Check retelling given as homework last time

II. Leading - in

Have you ever been to Tibet or Xinjiang? Show pictures of the two places and ask the Ss to say sth. from their own knowledge. Tell Ss Erik has been there.

III. Practice

1. Ask the Ss to do the match exercise by themselves.

2. Check the answer

3. Pairwork: practise the interview between Li Weiyin and Erik.

4. Act out the interview.

IV. Practice

1. Interview Erik and Elsa. Ask one group of Ss to be interviewers and prepare interview possible questions. The other Ss are Erik and Elsa. They should be ready for being interviewed.

2. Act out the interview.

V. Exercise in class

Reorder the following sentences.

1. Erik went to Xinjiang by train.

2. He liked Tulufan best.

3. He went back to Sweden.

4. The people of Tulufan are friendly, and their music and dancing are beautiful.

5. Erik went to Tibet.

Key: l 2 4 5 3

VI. Homework

1. Writing; Interview Erik and Elsa

2.Wb

VII. The design of the blackboard

Did you visit any other part of China?

What did you see there?

I wasn’t in a hurry.

篇2:Lesson 39

Teaching Objectives: Develop the skill of speaking: an interview

Properties: Maps, Pictures of Xinjiang and Tibet

Language Focus: go back in a hurry.

Teaching Procedures:

I. Revision

Check retelling given as homework last time

II. Leading - in

Have you ever been to Tibet or Xinjiang? Show pictures of the two places and ask the Ss to say sth. from their own knowledge. Tell Ss Erik has been there.

III. Practice

1. Ask the Ss to do the match exercise by themselves.

2. Check the answer

3. Pairwork: practise the interview between Li Weiyin and Erik.

4. Act out the interview.

IV. Practice

1. Interview Erik and Elsa. Ask one group of Ss to be interviewers and prepare interview possible questions. The other Ss are Erik and Elsa. They should be ready for being interviewed.

2. Act out the interview.

V. Exercise in class

Reorder the following sentences.

1. Erik went to Xinjiang by train.

2. He liked Tulufan best.

3. He went back to Sweden.

4. The people of Tulufan are friendly, and their music and dancing are beautiful.

5. Erik went to Tibet.

Key: l 2 4 5 3

VI. Homework

1. Writing; Interview Erik and Elsa

2.Wb

VII. The design of the blackboard

篇3:Lesson 39

课型:讲练课

课时:一节

ⅠTeaching Materials

1. Functional and notional items

A. Learn to ask about the foundation time.

B. Learn to identify the signs

2. Language Materials

Words: found, entrance, exit, fragile, park, parking, danger, pause

Sentences: When was the League founded?

It was founded in May, 1922.

Grammar: The passive voice

ⅡTeaching Objectives

1. Learn to ask about the foundation time and identify the signs.

2. Read the lesson fluently and correctly.

3. Master the new words.

ⅢTeaching Points

1. The main points---(1)&(2) in the teaching objectives

2. The difficult points--- tell the difference between found and build

ⅣTeaching Procedure

1. Organization of the class

Today, we are going to talk about when an organization was founded and the signs we may see in the museum.

2. Revision

A. Oral

On a visit to; natural history; guide; were laid; long before; disappear, disappearance; discover; feathered dinosaur; dinosaurs discovered by you

B. Workbook Ex

C. Retell it.

3. The teaching of the new lesson

A. Lesson 39

We know we can see dinosaurs in some museums and some museums are so big that you have to be guided by the signs. What signs can you see?

B. Part 2

Use some signs made of cardboard to teach: entrance; exit; fragile; No parking; danger

Then talk about the signs in Part 2 and talk about some other signs like: left; right; closed to traffic; telephone; parking; hospital

Do workbook Ex 2&3

C. Part 1

The museum was built in 1988. What about our school?

It was built in 1999. But it was founded in 1938. Teach: found

found 机构,组织的建立

build建筑物的建造

Get the Ss to match the questions with the answers in Part 1. Then ask some to do it in class

Read Part 1 together.

D. Workbook Ex.1

E. Conclusion

The passive voice found the signs

4. Homework

A. Do the exercises in the workbook of Lesson 40

B. Go over the whole lesson

篇4:商务英语写作39

dear

thank you for your order.  we have sent you all of the items you requested except for [item and number], which is backordered.

we apologize for the delay and are expecting to have this item for you shortly.

篇5:《全唐诗》卷39

《全唐诗》卷39

1 【上之回】陈子良

承平重游乐,诏跸上之回。属车响流水,清笳转落梅。

岭云盖道转,岩花映绶开。下辇便高宴,何如在瑶台。

2 【新成安乐宫(一作新宫词)】陈子良

春色照兰宫,秦女坐窗中。柳叶来眉上,桃花落脸红。

拂尘开扇匣,卷帐却薰笼。衫薄偏憎日,裙轻更畏风。

3 【夏晚寻于政世置酒赋韵】陈子良

聊从嘉遁所,酌醴共抽簪。以兹山水地,留连风月心。

长榆落照尽,高柳暮蝉吟。一返桃源路,别后难追寻。

4 【入蜀秋夜宿江渚】陈子良

我行逢日暮,弭棹独维舟。水雾一边起,风林两岸秋。

山阴黑断碛,月影素寒流。故乡千里外,何以慰羁愁。

5 【赋得妓】陈子良

金谷多欢宴,佳丽正芳菲。流霞席上满,回雪掌中飞。

明月临歌扇,行云接舞衣。何必桃将李,别有待春晖。

6 【酬萧侍中春园听妓(一作李元操诗)】陈子良

微雨散芳菲,中园照落晖。红树摇歌扇,绿珠飘舞衣。

繁弦调对酒,杂引动思归。愁人当此夕,羞见落花飞。

7 【游侠篇(一作侠客行)】陈子良

洛阳丽春色,游侠骋轻肥。水逐车轮转,尘随马足飞。

云影遥临盖,花气近薰衣。东郊斗鸡罢,南皮射雉归。

日暮河桥上,扬鞭惜晚晖。

8 【春晚看群公朝还人为八韵】陈子良

游子惜春暮,策杖出蒿莱。正直康庄晚,群公谒帝回。

履度南宫至,车从北阙来。珂影傍明月,笳声动落梅。

迎风采旄转,照日绶花开。红尘掩鹤盖,翠柳拂龙媒。

绮云临舞阁,丹霞薄吹台。轻肥宁所羡,未若反山隈。

9 【赞德上越国公杨素】陈子良

君侯称上宰,命世挺才英。本超骐骥足,复蕴风云情。

摅藻掞锦绮,育德润瑶琼。已踵四知举,非无三杰名。

济世同舟楫,匡政本阿衡。雍容入青琐,肃穆侍丹楹。

桂宫擅鸣珮,槐路独飞缨。高门罗虎戟,绮阁丽雕甍。

金樽酌湛湛,歌扇掩盈盈。匈奴轶燕蓟,烽火照幽并。

天子命薄伐,受脤事专征。七德播雄略,十万骋行兵。

雁行蔽虏甸,鱼贯出长城。交河方饮马,瀚海盛扬旌。

拔剑倚天外,蒙犀辉日精。弯弧穿伏石,挥戈斩大鲸。

鼓鼙朝作气,刁斗夜偏鸣。六郡多壮士,三边岂足平。

岭云朝合阵,山月夜临营。胡尘暗马色,芳树动笳声。

关云未尽散,塞雾常自生。川长蔓草绿,峰迥杂花明。

小人愧王氏,雕文惭马卿。滥此叨书记,何以谢过荣。

高山徒仰止,终是恨才轻。

10 【于塞北春日思归】陈子良

我家吴会青山远,他乡关塞白云深。为许羁愁长下泪,

那堪春色更伤心。惊鸟屡飞恒失侣,落花一去不归林。

如何此日嗟迟暮,悲来还作白头吟。

11 【送别】陈子良

落叶聚还散,征禽去不归。以我穷途泣,沾君出塞衣。

12 【七夕看新妇隔巷停车(一作陈伯材诗)】陈子良

隔巷遥停幰,非复为来迟。只言更尚浅,未是渡河时。

13 【咏春雪(一作陈伯材诗)】陈子良

光映妆楼月,花承歌扇风。欲妒梅将柳,故落早春中。

14 【骢马】庾抱

枥上浮云骢,本出吴门中。发迹来东道,长鸣起北风。

回鞍拂桂白,赪汗类尘红。灭没徒留影,无因图汉宫。

15 【别蔡参军】庾抱

人世多飘忽,沟水易东西。今日欢娱尽,何年风月同。

悲生万里外,恨起一杯中。性灵如未失,南北有征鸿。

16 【赋得胥台露】庾抱

胥台既落构,荆棘稍侵扉。栋拆连云影,梁摧照日晖。

翔鹍逐不及,巢燕反无归。唯有团阶露,承晓共沾衣。

17 【卧痾喜霁,开扉望月,简宫内知友】庾抱

秋雨移弦望,疲痾倦苦辛。忽对荆山璧,委照越吟人。

高高侵地镜,皎皎彻天津。色丽班姬箧,光润洛川神。

轮辉池上动,桂影隙中新。怀贤虽不见,忽似暂参辰。

18 【和乐记室忆江水】庾抱

遥想观涛处,犹意采莲歌。无因关塞叶,共下洞庭波。

19 【凌朝浮江旅思(一作韦承庆诗)】马周

太清上初日,春水送孤舟。山远疑无树,潮平似不流。

岸花开且落,江鸟没还浮。羁望伤千里,长歌遣四愁。

20 【句】马周

何惜邓林树,不借一枝栖。(出《册府元龟》)知

21 【出玉关】来济

敛辔遵龙汉,衔凄渡玉关。今日流沙外,垂涕念生还。

22 【七夕】张文恭

凤律惊秋气,龙梭静夜机。星桥百枝动,云路七香飞。

映月回雕扇,凌霞曳绮衣。含情向华幄,流态入重闱。

欢馀夕漏尽,怨结晓骖归。谁念分河汉,还忆两心违。

23 【佳人照镜】张文恭

倦采蘼芜叶,贪怜照胆明。两边俱拭泪,一处有啼声。

24 【奉和同太子监守违恋】薛元超

储禁铜扉启,宸行玉轪遥。空怀寿街吏,尚隔寝门朝。

北首瞻龙戟,尘外想鸾镳。飞文映仙榜,沥思叶神飙。

帝念纡苍璧,乾文焕紫霄。归塘横笔海,平圃振词条。

欲应重轮曲,锵洋韵九韶。

25 【答辨才探得招字】萧翼

邂逅款良宵,殷勤荷胜招。弥天俄若旧,初地岂成遥。

酒蚁倾还泛,心猿躁似调。谁怜失群雁,长苦业风飘。

26 【道失】欧阳询

已惑孔贵嫔,又被辞人侮。花笺一何荣,七字谁曾许。

不下结绮阁,空迷江令语。雕戈动地来,误杀陈后主。

27 【巫山高(一作阎复本诗)】阎立本

君不见巫山高高半天起,绝壁千寻尽相似。

君不见巫山磕匝翠屏开,湘江碧水绕山来。

绿树春娇明月峡,红花朝覆白云台。台上朝云无定所,

此中窕窈神仙女。仙女盈盈仙骨飞,清容出没有光辉。

欲暮高唐行雨送,今宵定入荆王梦。荆王梦里爱秾华,

枕席初开红帐遮。可怜欲晓啼猿处,说道巫山是妾家。

28 【同潘屯田冬日早朝】张文琮

假寐怀古人,夙兴瞻晓月。通晨禁门启,冠盖趋朝谒。

霜霭清九衢,霞光照双阙。纷纶文物纪,焕烂声明发。

腰剑动陆离,鸣玉和清越。

29 【蜀道难】张文琮

梁山镇地险,积石阻云端。深谷下寥廓,层岩上郁盘。

飞梁架绝岭,栈道接危峦。揽辔独长息,方知斯路难。

30 【昭君怨】张文琮

戒途飞万里,回首望三秦。忽见天山雪,还疑上苑春。

玉痕垂粉泪,罗袂拂胡尘。为得胡中曲,还悲远嫁人。

31 【咏水】张文琮

标名资上善,流派表灵长。地图罗四渎,天文载五潢。

方流涵玉润,圆折动珠光。独有蒙园吏,栖偃玩濠梁。

32 【赋桥】张文琮

造舟浮谓日,鞭石表秦初。星文遥写汉,虹势尚凌虚。

已授文成履,空题武骑书。别有临濠上,栖偃独观鱼。

33 【和杨舍人咏中书省花树】张文琮

花萼映芳丛,参差间早红。因风时落砌,杂雨乍浮空。

影照凤池水,香飘鸡树风。岂不爱攀折,希君怀袖中。

篇6:英语脑筋急转弯39题

20.What must you do before you return a book to the library?

21.If two's company and three's crowd, what's four and five?

22.The farmers in this village used modern methods but harvested no apples this year ,why?

23.The injured dog had some difficulty going home. Every step he took, he slipped back two. However, he still managed to get home. How did he do it?

24.Why are girls afraid of the letter C ?

25.Why is the letter E so important?

26.Why are the letter G and letter S in “gloves” close to each other?

27.What letter is an animal ?

28.What letter is a question?

29.Why is U the jolliest letter?

30.How do you feel today?

31.How can you make 6 out of three 7's?

32.How can you make 6 out of three 5's?

33.how(can you make 1000 out of eight 8's?

34.Can you name the capital of every state in the U.S. in ten seconds?

35.A police officer had a brother ,but the brother had no brother. How could that be?

36.Why does a cat look first to one side and then to the other side when it enters a room?

37.How do you know policemen are strong ?

38.Where was the Declaration of Independence signed?

39.If you throw a stone into the Red Sea, what will it become?

Answers:

1.Snowflakes!

2.He passed by a cosmetics store without looking in the window!

3.Every month has at least 28 days!

4.One's appetite!

5.From a hen!

6.He fell off the last step!

7.Because their heads are far from their bodies!

8.Take a longer rope and compare with it!

9.What else is there to wish for? You cease to wish for it once you get it!

10.He didn't cheat!

11.Grow old!

12.The other half!

13.Santa Claus

14.When there's two of them.

15.They don't know how to cook!

16.Two. The inside and the outside!

17.All animals, for trees can't jump!

18.Sleep at night!

19.Neither. I use a pen!

20.Borrow the book from library.

21.Nine!

22.They planted peach trees!

23.He walked in the other direction!

24.Because it makes fat fact!

25.Because it's the beginning of everything!

26.Because there is love between them!

27.It's the letter B!

28.It's the letter Y!

29.Because it's in the midst of fun!

30.With my hands ,of course!

31.Easy . 7- 7/7=6!

32.Easy. 5+5/5=6!

33.Easy. 8+8+8+8+88+888=1000!

34. Washington, D.C.!

35. The police officer was a lady!

36.Because it can't see both sides at once.

37.Because they can hold up traffic with just one hand!

38.At the bottom!

39.Wet!

篇7:《你不知道的自己》读后感(.8.9 08:39 )

《你不知道的自己》读后感(.8.9 08:39 )

作者:三秀 | 评论:0 | 阅读:824 读了两遍《你不知道的自己》,在对待性格、情绪、家人关系、男人、女人、感情、婚姻等很多方面都有很大的启发,让自己更认识自己,同时也更理解别人! 合上书,脑际出现自己关心的人们,会认为他们越发开爱!想起曾经令自己或抱怨、或恼怒、或困惑的人们,感觉他们是孩子,是不知道自己在做什么的孩子! 人生活在各种关系之中。大学之前自己是自然而懵懂的,不很在意别人对自己的言行和态度,而自己的反映也是完全本能而真实的。从读大学起,开始关注别人,开始认真、在意人际交往。天南海北的人们,给了我极其激烈的文化震惊!做事的不同思路与风格引起本东北人的强烈思考:为什么会这样?曾经的不理解让自己内心无法平静的'生活。 这本书给了我很多问题的答案! 现在自己可以更加安静、从容的生活! 也想与朋友们分享这本书!希望她可以给您带来启发和思考,让您轻松、快乐的过好每一天!   PS:这本书后来借给一好友,他出差把书落在火车上了。他知道我喜欢书,说还我本新的,我婉拒了,因为我读书会在上面标注,新书对我么有什么意义……,还好,自己长大了,没有什么情绪在里面,可能也是感觉到他的诚恳,呵呵

篇8:运营商流量资费降39%

运营商流量资费降39%

12月24日,全国工业和信息化工作会议在北京举行,

工业和信息化部部长苗圩说,今年工信部推动运营商持续降费,取消京津冀长途漫游费,全国平均接入速率较增长1.17倍,网间宽带扩容612G,截至10月底固定宽带和移动流量平均资费水平下降幅度超过50%、39%,完成提速降费年度目标。

会议还明确了20通信业目标,力争基本实现所有设区城市光纤网络覆盖,20M以上高速宽带用户比例超过50%,4G用户6亿户。继续促进有效竞争,提升服务质量,简化资费结构,降低资费水平。

今年5月20日,国务院办公厅印发《关于加快高速宽带网络建设推进网络提速降费的`指导意见》,提出了加快高速宽带网络建设推进网络提速降费的目标和举措。

在 7月22日国务院新闻办公室举行的新闻发布会上,工信部信息通信发展司司长闻库曾给出宽带降费的时间点:10月底前完成固定宽带降费调整,

当时,闻库表示,“关于固定宽带资费,继续推动企业在各省陆续下调,计划10月底前完成全国范围调整。预计50Mbps和100Mbps平均降幅超过 30%,20Mbps平均降幅超过20%。”

除了完成年度目标,12月24日,据工信部网站消息,在全国工业和信息化工作会议上,工信部还对年提速降费工作作出部署,制定了高速宽带网络建设和提速降费年度行动方案,力争2016年基本实现所有设区城市光纤网络全覆盖,20M以上高速宽带用户比例超过50%,4G用户达到6亿户。会议报告称,今年4G网络已经覆盖全国城市,预计用户数突破3.8亿户。

苗圩还表示,2016年将开展5G技术试验和商用牌照发放前期研究,积极参与国际标准制定。

篇9:The 39 Steps: A Primer on Story Writ

The 39 Steps: A Primer on Story Writing

1) Step one in the great enterprise of a new and preferable you in the house of fiction is: Mean less. That is, don't mean so much. Make up a story, screw around with it, paste junk on it, needle the characters, make them say queer stuff, go bad places, insert new people at inopportune moments, do some drive-bys. Make it up, please.

2) Don't let it make too much sense.

3) Do use stuff that you care about when you're making it up. If you're mad at your mother, husband, boyfriend, wife, lover, neighbor, dog, take it out on a mother, husband, etc. and put it in the mouth of one of your characters. If you're full of love for the sea, say something nice about the bath.

4) Leaven the piece with some merchandise (figurative) you don't particularly care about but that seems to you odd, intriguing, curious, baffling, quirky. Attach this material to your characters.

5) Do not use the above to rationalize disconnected, ersatz, or unrelated oddball debris. “I'd like to talk to you but there's a giant in my room” isn't the answer to any narrative question.

6) Long plot explanations aren't going to get it. Like, when something neat (horrible?) happened to one of the characters a real long time ago, and you really really want to tell us about it, you know? Don't.

7) It doesn't particularly matter which characters these things you care about (see #3) get attached to (these are things like pieces of dialogue, bits of deion, some gesture, a look somebody gives somebody, a setting, tabletops). In fact, you're probably better off if the stuff attaches itself in unexpected ways to wrong characters (so you don't go meaning too much, see #1).

8) Remember: Many things have happened which, to the untrained eye, appear interesting.

9) Grace Slick.

10) At every turn, ask yourself if you're being gullible, dopey, pretentious, cloying, adolescent, Neanderthal, routine, dull, smarty-pants, clever, arty, etc. You don't want to be being these things.

11) Be sure there's a plot for the reader to grasp; while not necessarily the center of the story, it's key to lulling the reader into that comfort zone where he's vulnerable.

12) We can't care about sand mutants; if you do, or think you do, kill yourself.

13) Coherence is a big part of the game. Make sure the story is coherent, that the scenes flow each from the last, that the reader has the clearest sense at all times of what is going on. Err on the side of clumsiness to start with; back away later.

14) For dramatic purposes you're probably well-served sticking close to an objective narrative (1st person unvoiced, or 3rd person objective-in either case, the camera view). This forces you to write scenes in which characters do and say things to/with/for each other; these things will then construct the story for you. This expedient blocks the “telling” problem.

15) Organize the story's structure around the simplest available strategy. For example, if there's no obliging reason that the story be told in flashbacks, don't use flashbacks. Don't use flashbacks simply because you get to a certain point and then think of something that requires telling in flashback if it is to be told at that point. Instead, return to the front of the story and add the material in its appropriate spot.

16) Plain chronological storytelling is a good idea. Rules on deviations: (a) avoid disruptions in time as much as possible; (b) flashbacks (and similar) are ten times more confusing to the reader than they seem to you (keep in mind for use in strategically confusing parts); (c) flashbacks, dream sequences, drug-induced beatific appreciations, Mongol hordes, etc. are not good excuses for lumbering attempts at the high rhetorical bar; (d) deviations from a norm tend to draw attention away from the story, away from the characters, away from the emotional/spiritual center of things; (e) sometimes you may want to do this.

16a) In the redundancy department: Give us as much of the ground situation as you can as soon as possible. The first paragraph is not too soon. The first page is not too soon. Tell us who, what, when, where, etc.

17) Do not do this “artfully.”

18) Remember that you want something to change over the course of the story. Something big and visible to the reader. Start with one situation and end with a clearly different situation. In between tell us how you got from the one to the other. Don't be subtle designing this change-for purposes of nailing dramatic structure be as reductive as humanly possible.

19) Remember this simplified structure is not the story, but the hanger on which the story hangs. The story is shirts and jackets, ribbons, the perfumes of the closet, details, bits of persuasion, rubber gunk underfoot, attitudes, hints, suggestions-everything you can attach to this hanger.

20) Obviously, these carefully hewn 39 steps must be adapted to your way of working. If you're murky, then take these as bible and pare away. If you work bare bones, then murk up what you do. Throw stuff in. Make a mess. Don't clean up.

21) If you write a sentence that isn't poignant, touching, funny, intriguing, inviting, etc., take it out before you finish the work. Don't just leave it there. Don't let anyone see it.

22) To repeat, there is no place for rubbish & slop in the highly modern world of today's fiction. Every sentence must pay, must somehow thrill. Every one.

23) Also: Obscurity is not subtlety; intentional obscurity is pinheaded and unkind.

24) Doing odd stuff is good, especially like when you make characters do it in the story, like when stuff is happening to them and they just do this unexpected, even inappropriate stuff, and then somehow it makes a little sense. This fills the heart.

25) Don't let too many paragraphs go by without sensory information, something that can be felt, smelt, touched, tasted. Two or three paragraphs is too many.

26) Don't be enamored of the idea you start with, or the idea that comes to you after you've been working on a piece for a time. If you're lucky the idea will keep changing as you write the story.

27) Don't reject interesting stuff (things for characters to say and do, things to see, places to be, etc.) because the stuff doesn't conform to your idea. Change your idea to wrap it around the stuff.

28) If you have a story in mind to start with, leave it there. Ditto a “character.”

29) Apropos the big issues, note that parents don't sit around getting heartbroken about abortion, they get heartbroken because they killed the baby.

30) Or, because the baby was born with fins for hands. It's the particular.

31) Sometimes it's useful to shut your eyes and imagine a scene as if it were in a movie; this helps flatten things and helps you “see” what the scene looks like.

32) Also, when doing the above, notice the things you notice in your own “real” life-like what's at the horizon, how the sun is in the sky, what kind of light's going on, the way the street, ground, grass, dirt looks, your interest in bushes, what's happening at the edges of things-buildings and signs and cars, the sounds of stuff going on around the scene-who's that wheezing? what's that rattle? are those leaves preparing to rustle? Etc.

33) No characters named Brooke or Amber.

34) Study steps 1,7,13,16a, and 24.

篇10:教案第39―42课时

教案第39―42课时

6的认识和加减法 第39课时 教学内容:6的认识,完成练习九的第1~4题。 教学目的:使学生能正确地数出数量是6的物体的个数,会读、会写数字6,知道6以内数的顺序,会比较6以内数的大小,掌握6的组成。 教学重点:6的组成。 教具准备:小棒6根,5和6的点子图,直尺图,6个正方形。 教学过程: 一. 复习。 (1)出示数字卡片,让学生从0数到5。 (2)复习2、3、4、5的组成。 二. 新课。 1.  6的`认识。 引导学生看53页上的主题画图,提问,说出图上有几个人?几把椅子?几张桌子? 教师小结后引出课题:6的认识。 板书并领读数字6。 2.  教学6以内的数的顺序。 3.  比较5和6的大小。 4.  教学6的组成。 5.  区分基数和序数的含义。 6.  指导写数字6。 三. 巩固练习。 指导学生完成练习九的1~4题。 四. 作业。 书写“6”一页。 课后记:本节课学生掌握情况较好。     第40课时 教学内容:6的加法,完成“做一做”和练习九的第5~8题。 教学目的:使学生初步学会用6的组成计算得数是6的加法。 教学重点:交换加数的位置得数不变。 教学准备:动物磁铁每种6个,小棒每人6根。 教学过程: 一. 复习。 1.  看算式说得数。 2.  口答。 二. 新课。 1.  教学5+1和1+5。 (1)出示小棒左边摆5根,右边摆1根。 要算出共有几根小棒,学生说出用什么方法计算。然后再交换小棒的位置让学生说算式。 教师板书:5+1=6 1+5=6 (2)引导学生观察、比较两个算式。说出有什么共同点和不同点。 2.  教学4+2和2+4。 让学生用正方形摆,写出算式:4+2=6、2+4=6。 3.  教学3+3。 让学生摆三角形说出算式。 三. 巩固练习。 1.  完成55页的“做一做”。 2.  完成练习九的5~8题。 四. 课堂小结。 五. 作业。 练习九第5、7题。 课后记:本节课学生掌握情况较好。 第41课时 教学内容:6的减法,完成“做一做”和练习九的第9~12题。 教学目的:使学生初步学会用6的组成计算6减几的减法。 教学准备:动物磁铁3种。 教学过程: 一. 复习。 1.  看算式说得数。 2.  口答。 二. 新课。 1.  教学6 C 1和6 C 5 。 (1)出示鸡的集合图。 教师演示,提问并让学生说出方法和算式。 教师板书:6 C 1=5、6 C 5=1。 (2)引导学生观察,比较两个算式。 2.  教学6 C 2和6 C 4 。 教师通过摆正方形让学生列式:6 C 2=4、6 C 4=2。 3.  教学6 C 3 。 让学生自己摆6个三角形列式、计算,得出:6 C 3=3。 齐读5个算式。 三. 巩固练习。 1.  完成56页上的“做一做”。 2.  指导加、减法算式的写法。 3.  完成练习九的第9题。 四. 小结。 五. 作业。 练习九第10题。 课后记:本节课学生掌握情况较好。     第42课时 教学内容:6的加、减法巩固练习,完成练习九的第13~16题。 教学目的:使学生进一步练习得数是6的加法和6减几,回根据一幅图写出两个加法算式或两个减法算式。 教学过程: 一. 基本练习。 1.  6的组成填空练习。 2.  复习6以内的加法。 3.  复习6减几的减法。 4.  看算式题卡片口算练习。 二. 巩固练习。 1.  做练习九的第13题。 让学生先看左图,指名说图意,然后让学生填,教师巡视。 2.  做练习九第15题。 教师先说明题意,然后让学生仿照第1小题,独立连线,教师巡视。 3.  做练习九第16题。 学生自己做。 三. 作业。 练习九第14题。 课后记:本节课学生掌握情况较好。  

篇11:地下城与勇士39作文

“你小子今天真能喝,我不行了……”诺顿说完就开始哇哇地吐了起来,

地下城与勇士39作文

龙星可不想跟着诺顿一起丢人,跟索西亚打了招呼后,架起诺顿离开了酒吧。本想靠酒精来麻痹自己的龙星,在跟诺顿拼了几十杯后,头脑却愈加清醒。

当龙星把诺顿安顿好后从他家走出来后,龙星仰望星空,感叹人生如戏,为什么会有那么多的悲欢离合。孤独、寂寞、无助、空虚的感觉一下填充了龙星的心房。

“不行!我不能这样!我一定要振作!”龙星心里想道,随即龙星仰望苍穹,深深地吸了一口气,大喊道,“一切都会变好的,啊!啊!啊——”

瞬间整条街道上的灯瞬间变亮,狗也开始狂吠,叫骂声不绝于耳……。

龙星这个肇事者不好意思的吐了吐舌头,然后加速跑往旅馆。

看到赛丽亚房间的黑着灯,想必她已经睡了,龙星蹑手蹑脚地来到自己的房间,却发现赛丽亚半躺在自己的床上睡着了。

龙星轻手轻脚地走过去,一只手慢慢地托住赛丽亚的脖子,一只手轻轻地揽住赛丽亚的细腰,他想让赛丽亚整个身体都躺在床上,好好休息。

当龙星将赛丽亚完全扶到床上准备抽手的时候,赛丽亚突然睁开了眼睛,细声细语地说道:“龙哥哥,你回来了?”

这样的姿势实在太过暧昧,龙星也觉得很不好意思,但他没有抽手,答道:“嗯,回来了!”

“任务完成的顺利吧?”赛丽亚的笑脸已经变得红扑扑的。

“顺利!我已经拿到了黑暗玄廊的钥匙。”看着赛丽亚如此诱人的表情,龙星心里很矛盾,到底是抽手离开呢,还是……。

“龙哥哥,你回来我就放心了。”说完赛丽亚慢慢地起身,接着说道,“我回房间休息了!”

就当赛丽亚即将走出房门的时候,龙星突然跑上去抓住赛丽亚的小手,将其揽入怀中,眼睛直勾勾地盯着赛丽亚。

“龙哥哥,还有什么事吗?”赛丽亚听到了自己的剧烈的心跳声,

龙星看到机械复仇这个技能的时候,明白了一切,原来机器人也是有感情的,一个优秀的机械师对待自己的机械就应该像对待自己的孩子一样!

一定要好好对待自己的机械,龙星心里想道。当他看到机械改良这个技能的时候,眼睛顿时亮了起来,下定决定一定要把这个技能

【机械改良】,施放

传来咚咚的敲门声,“龙哥哥,你醒了吗?”赛丽亚甜美的声音传来。

“小丽,请进吧!”赛丽亚推门进来,手里还穿着一碗热气腾腾的山菇野兔汤,龙星接着说道,“以后不用敲门,直接进来就是了。”

赛丽亚满怀柔情地吹着汤匙里的汤,然后将它送到龙星嘴边。

龙星美美地喝了一口,从赛丽亚手里接过汤匙,说道:“我们一起喝。”说完将吹好的汤送往赛丽亚的樱桃小口。

二人就这么甜甜蜜蜜地喝了四个小时才把这碗汤处理掉

[1] [2] [3] 下一页

篇12:教案第37课时―39课时

教案第37课时―39课时

37   第七课时   教学内容:教学巩固练习,做练习十三第9―14题。 教学目的:使学生进一步掌握乘数是三位数的乘法。 教学过程: 一、复习。     指名说一说乘数是三位数的乘法法则。     指名说一说乘数中间和末尾有0的简便乘法。     指名说一说“扩大”和“缩小”几倍的含义。     指名说一说因数和积的变化规律 三、巩固练习    做练习十三第9题。     6×300      30×200     0×700     28×500     600×30     8×102     学生独立计算,教师计算时间。     做练习十三第10题。     让几名学生板演,怎样简便就怎样算。     3050×406    714×511     3078×500     540×204     9800×300    78×633     做练习十三第11题     410个159是多少?     364的800倍是多少?     829与208相乘,积是多少?     让学生独立分析,列式解答。     做练习十三的第12、13题。     提醒学生要正确掌握运算顺序,认真分析解答。 三、作业     练习十三第10、12、14题。 课后记:学生口头表达的能力还是很差,课前复习中所提的问题虽然学生心里明白但表述不出,对因数扩大和缩小引起的积的变化,部分学生没能理解。特别是张宇同学,每次新课都很吃力,班上学生的接受能力差别大,导致课总时上不动。况且复式班分层教学很难实施,影响了教学进度。   38   第八课时 教学内容:混合练习,练习十三第15―20题。 教学目的:提高学生的`计算能力和分析解答应用题的能力。 教学过程: 一、复习。口算。     9×700    20×300    240×5     600-80     480÷30   14×200    600÷20    280÷41     板演:920×560     7500×800 二、混合练习1、 做练习十三第15题。     先让学生独立计算,教师巡视,注意看有多少学生在3分钟内能够做完,集体订正时,选几道题让学生说一说是怎样想的。 2、 做练习十三的第16题。     让学生独立做,要求怎样简便就怎样计算。做完后,集体对答案。 3、 做练习十三第17题。     做题前,教师提醒学生要正确掌握运处顺序,认真计算,做完后,集体订正,订正时,指名学生说说运算顺序。 4、 应用题练习。     做练习十三的18、19、20题。 学生读题后,教师引导学生分析理解题意,然后由学生自己在练习本上列式解答。 三、作业。     练习十三的第16、18、20题。 课后记:本节课比较简单,所以学生学习起来兴趣浓,作业质量高,特别是应用题能独立完成让学生有很大的自我成就感。虽然学习效果好但还是存在不容忽视的问题,计算速度和计算能力还是需要进一步加强。乘法口诀有些学生还是不能熟记于心,加减不能口算完成。这些都有待在今后的教学中不断巩固。   39    第九课时 教学内容:教科书P72页内容,完成练习十四的全部习题。 教学目的:使学生理解并掌握除数是整百数的口算除法,能够正确地进行口算。 教具准备:口算卡片。 教学重难点:找出口算规律。 教学过程: 一、复习。     教师出示口算卡片让学生口算。     200÷5      270÷9   320÷10       450÷50     500÷10     口算完后,指名让学生说一说用整十整数除的口算方法。     口答:800有多少个百?1200是多少个百?3600是多少个百? 二、新课     教学例1(除数是100的口算)     出示例1,500÷100,结合以前学过500÷10整十数的口算方法,想一想500÷100得多少,启发学生说出要想500里面有几个1百。因为500里面有5个1百,所以500÷100得5。 然后出示2400÷100,直接让学生用同样的方法算出2400÷100得多少,指名说一说是怎样想的。     教学例2,除数是整百数的口算。 教师出示:1200÷400,然后引导学生想,1200里有多少个百?400是几个百?12个百里面有几个4百?     学生口算出得数后,教师再说一遍口算过程。     教师再出示3600÷300     提问学生,想一想:这道题怎样算?指名让学生口算出得数。 最后教师引导学生观察例题,找出规律,先把被除数和除数分别看成几个百,再除。 三、巩固练习    让学生一起口算例2下面的做一做中的习题,教师指名选一、两题让学生说一说口算的过程。 四、课堂练习1、 做练习十四的第1―2题。     让全体学生做,并把得数直接写在书上,教师巡视,然后集体订正,帮助学生纠正错误。 2、 做练习十四的第3、4、5题。     第3题要求在书上完成。第4、5题要求学生在练习本上完成。 五、作业     练习十四3、4、5题 课后记:本节新课也是在以往所学基础上的一种变化,对学生没有什么新的知识点,比较简单,全班学生都能正确掌握。独立完成课后习题。  

篇13:考研英语高频词组总结39

考研英语高频词组总结(39)

考生们在备考英语部分时,最先接触的是词汇部分,汇总了600多个高频词组。

471. to say nothing of(=not to mention)更不用说…

472. do sth. at short notice 只给很少时间准备

473. until further notice 在另行通知前

474. take notice of (=pay attention) 注意

475. object to (=be opposed to) 反对

476. objection to (接动名词) 反对

477. on occasion(=now and then)不时地,必要时

478. by occasion of (=because of) 由于

479. occupy oneself with (in) 忙于(某事)

480. it occurs to sb. that… 某人想到…

篇14:美国习语第39街

习语搜索:???? ?to have a heart

????????????????????? ? cross my heart

??????????????????? 人的心是我们喜、怒、哀、乐各种感情的源泉,因此“心”这个字出现在美国不少的成语和俗语中也就不足为奇了。在大多数情况下,人心显示出来的是人类感情善良的一面,例如慷慨。要是有一个人对你说: “Aw, come on -- have a heart!”

?

????????????????????To have a heart 要是从字面上来解释那就会毫无意义了,因为每个人生下来都是有一颗心的。To have a heart 是一个俗语,它的意思就是要求别人对说话的人表示同情,或者是要求别人帮助他。

?

???????????????????下面我们要举的例子是一个十六岁的男孩在请求他的爸爸让他用家里的新汽车。根据美国法律,一个孩子到了十六岁就可以通过考试拿到驾驶执照,也就是说可以开汽车了。

?

在美国,凡是一个家庭里有这种年龄的孩子的话,那你就会经常听到这样的请求。这个男孩对他爸爸说:

?

例句-1: “Hey, Dad, have a heart and let me use the new car; I have this big date with Jennie tonight.”

?????????????????? 这个孩子说:“爸爸,请你发发善心,让我用那辆新汽车吧。我今天晚上请我的女朋友杰尼出去玩,这个约会可是很重要的呢!”

?

?????????????????? 一般来说,家长都不太愿意让孩子开自己的汽车,因为许多年轻人往往喜欢开车开得很快,这样容易出车祸。即便事故不严重,修理汽车的价格也很贵。何况,十几岁孩子由于事故而死亡的例子也不少。

?

我们要举的第二个例子是一个问朋友借了钱的人在请他的朋友宽容一些时间:

?

例句-2: “Charlie, I know I've owed you the hundred bucks for a long time. But, have a heart: give me a little more time because I really don't have it right now.”

?????????????????? 这个人说:“查理,我知道我借你一百块钱已经好久了。但是,请你做做好事,再宽容我一点时间,因为我现在确实没有这笔钱。”

?

?????????????????? 下面我们要讲解的一个俗语是美国人日常生活中经常用的:cross my heart。 Cross my heart 在中文里的意思就是“保证”或者“发誓”等。一个小孩会说:cross my heart 来让你相信他说的话是真的。例如:

?

例句-3: “Billy, cross my heart, it wasn't me who broke your bicycle.”

??????????????????? 这个孩子说:“比利,不是我把你的自行车弄坏的,我发誓。”

?

???????????????????Cross my heart 这个俗语用的面是很广的,不仅小孩常用,大人也经常用这个俗语。例如,有的谈恋爱的人就用 cross my heart 来向对方表白自己的真情。下面就是一个例子:

?

例句-4: “Honey, cross my heart, I've never looked at another woman since the first day I set eyes on you! Believe me, that's the truth!”

?????????????????? 这个人对他的女朋友说:“亲爱的,我向你发誓,自从我见到你以来,我从来也没有对别的女人看过一眼。这可是千真万确的呀!”

多么美妙的话语, 透人心扉, 没有一位女性不喜欢听这样的话语哟, cross my heart,you are beautiful !

篇15:经典搞笑脑筋急转弯及答案39题

1. 没有尾巴的熊是无尾熊,没有鸡鸡的熊是什么熊?答案:母熊

2. 什么布切不断?答案:瀑布

3. 小王一边刷牙,一边悠闲的吹着口哨,他是怎么做到的?答案:刷的是假牙

4. 什么门永远关不上?答案:球门

5. 船边挂着软梯,离海面米,海水每小时上涨半米,几个小时海水能淹没软梯?答案:水涨船高,所以永远不会淹没软梯。

6. 汽车在右转弯时,哪一条轮胎不转?答案:备用轮胎

7. 什么书你不可能在书店里买到?答案:秘书

8. 什么水永远用不完?答案:口水

9. 一人被老虎穷追不舍,突然前有条大河,他不会游泳,但他过去了,为什么?答案:吓昏过去了

10. 模样相同的哥俩同时应征入伍,他们有血缘关系且出生日期及父母的名字完全相同。连长问他俩是不是双胞胎。他们说不是。请问这是为什么?答案:三胞胎中的两个

11. 监狱里关着两名犯人,一天晚上犯人全都逃跑了,可是第二天看守员打开牢门一看,里面还有一个犯人?答案:逃跑的犯人名字叫“全都”。

12. 用什么可以解开所有的谜?答案:答案

13. 当今社会,发财的个体户大都靠什么吃饭?答案:嘴巴

读后感二年级

二年级读后感

二年级弟子规读后感

二年级格林童话读后感

二年级的读后感

小学生二年级读后感

二年级读后感200字:昆虫记

二年级拇指姑娘读后感

小学二年级作文——读后感

小学生读后感二年级优秀

《二年级的 39 读后感的范文(精选15篇).doc》
将本文的Word文档下载到电脑,方便收藏和打印
推荐度:
点击下载文档

文档为doc格式

点击下载本文文档