下面是小编为大家准备的photoshop手绘场景教程照片处理，本文共6篇，欢迎阅读借鉴。
篇1：photoshop手绘场景教程照片处理
(作者：mw14914902 转自：火星时代动画大社区)
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关 键 字：photoshop
篇2：用Photoshop手绘极酷巧克力威化照片处理
1.在photoshop软件中新建一个分辨率为300、尺寸为20*30的文件（大小尺寸也可以自定义，如果是练习画布尺寸和分辨率可以适当缩小），在画布中新建一层用套所工具画出如图形状选区，
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2.选择颜色面版，选择的颜色数值如图所示。
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3.填充
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4.新建一层用套所工具绘制出巧克力脆皮的外形轮廓，选择如图色值所示然后填充。
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5.回到威化层通套所工具选出暗面，然后打开色相/饱和度面版调整暗面颜色，数值如图所示。
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6.将巧克力层的外形用铅笔和橡皮工具结合修改到满意为止，注意整体形的透视和结构，让形状感觉自然舒服。
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7.将巧克力层索定透明象素选项所定，选择减淡工具将巧克力的亮面画出，这一步尽量用尺寸和羽化较大一点的笔刷，这样比较用一绘制出柔和的颜色，如果用数位板绘制可以用力稍微轻些慢慢绘制，如果用鼠标可以将不透明度降低，这样更容易控制。
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8.选择加深工具画出巧克力的暗面，有些小的地方将笔刷数值缩小，明暗交界线的地方注意加深这样亮面、暗面、反光都有了，大体的一个巧克力威化的形体就出来了！
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9.存盘、活动、休息、喝水（别说我占用版面，必须的呦）。
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10.打开painter,用油画棒工具开始初步刻画。
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11.新建一层，用自由套索工具随意的画出威华丽的三个巧克力夹层，绘制是注意透视走向，当绘制困难时可以在Painter中按e见旋转画布，可以时起绘制起来更方便。
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12.绘制完成后的效果。
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13.再新建一层，用铅笔工具绘制出威化的方格。
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14.在刚才的方格层下再建一层用来绘制方格的凸起厚度，如果怕乱最好大家给每层都起上相应的名字，比如：巧克力脆皮/威化/威化巧克力/威化格子等等~~我是懒惯了，大家表学我。分层绘制的好处就是在以后绘制和修改的时候更加方便，最好将分层文件一直保留，如果有时候需要在合层的文件上绘制建议大家另存合层文件，直到作品完稿后再清理不必要的多余文件，以免日后客户突发奇想让你修改的时候束手无策。
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15.另存一个只有巧克力和威化两层的文件，这样画着比较方便。在威化层用油画棒画些纹理上去，纹理选择可以找合适的纸纹即可。
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16.局部刻画威化的质感，注意空隙之间的大小形状和疏密关系，加强质感，让别人看了后有种酥脆的感觉。为了丰富细节将威化的边缘处处理成不规则的形状，好像被掰掉或被咬掉的感觉，更能体现食品的质感，食品插图的主要条件就是勾起购买者的食欲，什么时候自己边画边流口水这图就差不多了，哈哈。
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17.依旧是为了丰富画面修改了原本平滑的一个角，
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18.大概绘制完成的样子。
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19.在巧克力层上用油画棒大概绘制出巧克力凝固后堆积的纹理。这部不必太在意先按着它的规律绘制出走向即可，后边可以慢慢深入。
screen.width*0.7) {this.resized=true; this.width=screen.width*0.7; this.style.cursor='hand'; this.alt='Click here to open new windownCTRL+Mouse wheel to zoom in/out';}” onclick=“if(!this.resized) {return true;} else {window.open('/Article/UploadFiles/200602/200610162044725.jpg');}” src=“/Article/UploadFiles/200602/200610162044982.jpg” nload=“if(this.width>screen.width*0.7) {this.resized=true; this.width=screen.width*0.7; this.alt='Click here to open new windownCTRL+Mouse wheel to zoom in/out';}” border=0>
20．继续深入，调整部分颜色，使其感觉明快有食欲。
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21．拉大明暗关系，使亮面和暗面更加明显。
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22．回到photoshop中用加亮工具提出巧克力的高光，这时候要多观察实物和图片，注意高光走势结构和疏密层次。
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23．大体完成后，我又在巧克力层上新建了一层，用喷笔工具喷了一个又大又虚的圆并将这个圆的图层模式改为叠加、不透明度设为46%，一下威化的颜色变得诱人了！
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24．在巧克力层选中巧克力以外的空白位置，回到画圆的那层按删除键，这样喷出巧克力图层外的颜色被删除了。
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25．删除后的整体效果。
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26．将圆图层和巧克力图层合并以便于下一步绘制。
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27．存盘、休息（又来了）
28．回到painter中进一步刻画巧克力的纹理结构，依旧可以结合旋转画布来提高绘制方便度（别告我你忘了旋转画布的快捷建--是“e”哦）。
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29．一个巧克力绘制的局部，颜 人、颜 人，口水ing。
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30．大体完成后的效果。
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31．是不是看着缺点什么？太秃了点吧，好！我们再加上些溅飞的碎渣，对表现食品质感效果提神呦。回到photoshop中在威化层用自由套索工具拷贝几块威画到新的图层以便我们修改绘制。什么？为什么不重新画？拜托，时间紧任务重、客户直发疯你还有心情重新画？合理利用一下有利资源行不?
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32．在painter中修改威化碎渣，使其看不出是你偷懒拷贝的，再加上些更小碎渣更丰富了！
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33．ok!一切都完了，回到photoshop重进行一些细节调整，比如色相、明暗、对比等等，总之将你的作品做嫁出去的最后修正，不光要自己看顺眼了，也要从别人的角度去看知道一切ok为止。
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关 键 字：photoshop
篇3：PS照片转手绘教程
最近似乎挺流行PS照片转手绘效果的，有PS照片转手绘专题，里面的教程都挺强大的，地址在这里：www.fevte.com/special/special.php?specialid=4刚刚又看到一个教程，也转发过来和喜欢PS转手绘效果的朋友们一起学习，先看原图和效果图对比吧：
原图有点小：
效果图：
FEVTE编注：更多照片处理教程交流讨论及作业提交请到论坛照片处理区：bbs.fevte.com/forumdisplay.php?fid=51&filter=type&typeid=88
具体的制作步骤如下：
最终效果：
FEVTE编注：更多照片处理教程交流讨论及作业提交请到论坛照片处理区：bbs.fevte.com/forumdisplay.php?fid=51&filter=type&typeid=88
篇4：PS简单处理照片教程
这篇教程像的朋友们介绍PS简单处理照片的方法和技巧，转发过来和的朋友们分享一下，希望对大家学习PS照片处理有所帮助，先看看最终的效果图：：
FEVTE编注：更多照片处理教程交流讨论及作业提交请到论坛照片处理区：bbs.fevte.com/forumdisplay.php?fid=51&filter=type&typeid=88
对比：
局部对比：
FEVTE编注：更多照片处理教程交流讨论及作业提交请到论坛照片处理区：bbs.fevte.com/forumdisplay.php?fid=51&filter=type&typeid=88
篇5：钢笔教程照片处理
photoshop钢笔练习十步曲
钢笔练习十步曲！
a、b、c分别代表钢笔的三个控制点如下：
，...........。.............。
a............b...............c
1、按住CTRL 鼠标点b 然后拖动 观察现象并记住此功能。
2、按住CTRL 鼠标点a或c 然后拖动 观察现象并记住此功能。
3、按住ALT 鼠标点b 观察现象并记住此功能。
4、按住ALT 鼠标点a或c 然后拖动 观察现象并记住此功能。
5、画下一个节点时按住SHIFT 观察现象并记住此功能。
6、画下一个节点时按住CTRL 观察现象并记住此功能。
7、画下一个节点时按住SHIFT 不松鼠标拖动 观察现象并记住此功能。
8、回到以绘完的接点(就是b)，按住ALT点b 观察现象并记住此功能，
然后不松并拖动观察现象并记住此功能。
9、回到以绘完的接点(就是b)，按住CTRL点b 并拖动观察现象并记住此功能。
10、不用键盘，单独用鼠标绘制，观察现象并记住此优点。
你只要把这10步练习5遍，你将会成为扣图高手！
扣图中的小问题,小技巧:
a绘制中修改节点后,点一下最后的节点,然后接着绘制,这样不会另起一条路径.
b闭合路径后直接按CTRL+回车将路径变为选区.
c在路径面版下面,有把选区变为路径的按纽,变为路径后输出AI格式,可到AI里直接调用.
关 键 字：photoshop
篇6：Photoshop照片翻新术照片处理
大概不少人都保存着许多老照片，随着岁月的流逝，散发着回忆的淡淡芳香，能将它们复原的话，无疑是件幸事。如果你对Photoshop稍有了解，那你就会知道，修补老照片对Photoshop来说早已不是什么新鲜课题。在7.0版之前，我们一直都在使用仿制图章工具，在7.0版中，Adobe新增了复原笔刷（Healing Brush）和补丁工具（Patch Tool），使我们的修复工作更加轻松。但我们在这篇文章中将要讲到的并不是这两种工具的应用，而是一些实用的修补技术。请和我一起，耐心走过这段珍藏在心底的岁月。
一、一张小像
这里有一张图片，大概是一位贵妇人的画像。几十年，甚至已经有上百年的历史了。我们用它来作为本节的素材。它看起来的确需要加工一下。（图01）
图011.把这张图片在Photoshop中打开，检查它的通道。可以发现，这站图片真正的损坏是在蓝色通道中的。图像缺乏对比，还有一些污渍（图02）。我们首先要做的，是用色阶工具和亮度/对比度工具来调节图像。
打开色阶工具，将输入色阶依次设为63、0.89、255，输出色阶为0、254，使图像色调变暗；再用亮度/对比度工具，将亮度设为+29，对比度设为+32，加大对比度。（图03）
2.接下来，我们要修补图像中一些损坏的部分。在工具箱中选择仿制图章工具，在选择合适的不透明度和笔刷大小后，按住Alt键，定义复制源点，进行修补。必要时，可以把图像放大。
如果你较为耐心和细致地做完了这项工作，那么现在的图像看起来已经比较干净了。在这篇教程中，我们只需要这张图像的主要部分，也就是这个妇人的像，而不需要边框部分。我们会在下面为它创制一个全新的像框。（图04）
3.现在，回到RGB通道中，执行色相/饱和度命令，为图片添加一些生命力，数值为色相-97，饱和度-83，明度0，注意不要勾选“着色”模式；再用色相/饱和度命令稍微调节一下，亮度为+20，对比度为+22，这样，图像被上了一种艺术化的色彩（图05）。
如果你愿意的话，还可以用图像>调整>变化命令，使图像色调进一步发生改变（图06）。变化命令对于不需要精确色彩调整的平均色调图像最为有用。想将颜色添加入图像的话，就点击相应的颜色预览图，想减去就点击相反颜色的预览图。在“当前挑选”框中可以预览到图像的变化。这里我用了较暗模式。再将画面轻微地模糊一下，这样，这张图片本身的复原工作就基本上完成了。
4.这张图片所带的边框损坏的程度比较严重，很难将它完美的修饰好，所以，我们不得不放弃它。作为补偿，我们需要为这副画再配上一个像框。
首先，我们用椭圆工具在画布正中画一个包括人物的椭圆，不能太小。反向选择，作为像框的选区。新建一层，填充黑色，执行“添加杂色”滤镜，数量为50％，高斯分布，单色；再执行像素化>晶格化滤镜，单元格大小由你的图像大小决定，这里用的是10（图07）。在进行下一步的着色之前，需要用亮度/对比度命令减小对比，然后用色相/饱和度命令着色。进入图层样式对话框，选择“斜面和浮雕”模式，样式选择“内斜面”，方法为平滑，深度为120％，大小为5像素，阴影角度为120度，其余按照默认。为图像添加立体效果。（图08）
我们还要为像框加上几个别致的螺丝。可以用KPT5中的ShapeShifter来实现我们想要的效果。新建一个图像，选一个圆形，进入KPT5的ShapeShifter滤镜界面，调整Main Shape和Environment的选项，如图（图09），取消阴影设置，其它设置不变。
在Photoshop滤镜菜单下选择渲染>镜头光晕，设置亮度为100％，镜头类型为50-300毫米变焦，为球体加上光晕效果。（图10）
打开选择>修改>收缩，将选区收缩1像素，把球体剪切到像框上一层，缩放到合适大小后，复制三个，分别放置在图像四角。这样，这张照片就以新面貌出现了。（图11）
小结：这种类型的照片，在修复之前，先要检查通道，确定是哪个通道的损坏，调整单一通道后，修补破损，再回到复合通道中，调整图像的主色调。
二、童年的回忆
真是一张惨不忍睹的照片！一半已经严重褪色，其它部分也已损坏的不成样子。（图12）我们需要修补破损的地方，还要为它重新上色，捡回童年的色彩。这张照片褪色得这么厉害，我们已经无法推断出它原来的色调了。看来我们得为它上新的颜色。我们保留背景上的初始图像作为参考，但一开始，我们要先确定损坏发生在哪里。在这篇文章中会涉及到许多东西，所以我会讲的非常详细，请耐心地看下去。要知道，一些照片已不可能完全复原了，但大多数都可以用下面我介绍给你的方法来挽救。
1.首先，复制背景层，将副本做去色处理，再用亮度/对比度命令调整，亮度为-15，对比度为+22。（图13）
2.在图像上会有许多需要修补的地方（图14），这一步，你就要用我们在第一部分中所介绍的方法，用仿制图章工具一一修补。看到一些不该存在的点和区域，就想办法清除它。这是处理好的处理好的照片，图中小女孩身上的污点已被抹去。（图15）
3.我觉得，从美学价值上来讲，照片上位于小女孩头上和右边的电线杆很碍眼，破坏了画面的和谐，所以，再次使用仿制工具把它从画面上除掉。如果你想修补画面上一些方形或矩形的区域，就像在这里我们想做的，可以依照图中相关的部分来对齐仿制区域。如在这副图中，我们想去掉围墙和屋顶的木杆，就要分别从围墙和屋顶复制，在仿制图章工具属性栏中选择“对齐”，再涂抹到画面中，这样被复制的像素就会按顺序排列。由于屋顶部分被遮住的部分很小，所以要用一个比较小的笔刷来替换。在仿制围墙时，我采用了矩形笔刷来替换柔性的圆形笔刷，这样可以保持砖块堆砌的连续。然后我选用模糊工具，用很小的笔刷来柔化砖块的边缘，以使它们连接的更好，看不出拼图的痕迹。还不要忘记抹除木杆留在草地上的影子。（图16）
4.现在，我们要来修补照片上的裂痕。你可以会问，这次该怎么办？其实你还可以使用我们可以信赖的朋友，仿制图章工具。不过需要将这一部分图像放大，近距离的观察，再仔细修补。（图17，18）
5.接下来，你可能已经猜到了，我们要处理照片最左边浸了水的部分。不过这次，我们需要一些想象力和创造力，用我们的艺术感觉来对付那部分屋顶和阴影的损坏。
为了恢复那些被水浸过的草坪，我们还要动用仿制图章工具。按下Alt键，复制一小块区域，然后选取一个新的区域为源点进行复制，以使草地看起来更自然些。在那些靠近墙脚有植物生长的地方，我选择复制了一些距离较远的植物，这样比较不易被看出是仿制的。和刚才一样，大部分时间我都用了柔化的圆形笔刷，但在仿制围墙时使用了矩形笔刷。
请记得，越是靠近前面的画面，细节越要丰富。你需要复制画面前面的草到需要替换的地方。在仿制完成后，你可能需要柔化一些区域，以消除明显的分界线。
在草地完成之后，填充小女孩背后的影子。用模糊工具柔化边缘。如果想得到效果逼真的阴影效果，可以选择涂抹工具，将压力设为100％，选择一个很小的笔刷，在阴影上涂抹，使阴影接近真实。（图19）
6.OK！修补破损的程序已经完成了，接下来是上色过程。这次，我们采用钢笔工具选取轮廓。新建一层，将图像放大，看清更多的细节。首先选择处理天空，在完成之后就将这一层隐藏起来。然后，依次按同样的过程处理围墙、草坪、房子。也就是说，为它们单独新建一层，上色完成之后将之隐藏。这些都完之后，就可以对小女孩开始着色了。这需要花一点脑筋，但我想应该不成问题！
现在，在背景层上新建一层，选择钢笔工具，勾出天空的轮廓。打开路径面板上“将路径作为选区载入”按钮，载入路径选区。也可以按Ctrl+Enter，载入路径，更加方便。
天空的颜色我选择了两种稍有区别的浅蓝色，用线性渐变在选区内填充。将图层混合模式设为“叠加”。完成之后，取消选择，将工作路径从路径面板删除。（在下面几步也要这样，不再赘述）（图20）
也许你会觉得这样的工作单调而乏味，远不如你想象中那么有趣。也许是吧！但如果试着想想拍摄这张照片当时的情景，也许会好一些。
7.下面我们来填充围墙和草坪，还要给围墙下的植物一些特色。使用钢笔分离你要着色的每一块区域，不要忘记为每一块新建一层。
我将围墙也用线性渐变填充，并将图层不透明度设为52％。草地用绿色填充，图层混合模式设为“屏幕”，还为它稍微添加了一些杂色纹理，数量为13，分布为高斯分布，不要选择单色。不要奇怪，现在它看起来不太理想，那是因为我们的工作还没有完成的缘故。请和我一起继续下去。
在对草坪使用了杂色滤镜之后，新建一层，选取喷笔工具，前景色选用一种和草地颜色对比较大的绿色，喷涂靠近墙脚的植物。复制这一层，将副本层轻微模糊一下，图层混合模式设为“正片叠底”；然后用吸管工具选取照片中的深灰色，用它来填充副本层下的植物层，用高斯滤镜模糊以后，作为植物层在墙上的投影，
为背景上的晾衣架新建一层，在用钢笔勾选路径后，转换选区，填充白色，取消选择。将这一层复制，选择图层顺序中下面的一层，填充深色，高斯模糊后，将这一层稍微移动几像素，和上一层有些距离。对晾衣架也要运用轻微模糊，以消除生硬感。
按照同样的方法，分别为屋顶和墙体上色。这样，背景的上色工作就做完了。仔细检查一下画面，看看有没有还能改进的地方，比如在天空、围墙和草地之间的过渡太突然，线条不够柔和，我们可以用模糊工具将边界柔化，使之衔接地更自然。在一切无误之后，复制一个文件副本，在副本中然后拼和所有图层。（图21）
8.在副本文件中，复制背景层，在背景层副本中用钢笔工具勾出小女孩的路径，转化为选区，剪切下来（图22）。
这样，会在小女孩的区域形成透明。如果直接在背景层剪切，透明区域会被背景色填充。将包含透明区域的背景层副本拖移到原始图像中，拖移时按下Shift，如果两副图像的大小一样，就会自动对齐剪贴图像原始位置。这时，你的原始图像中应该包括了灰度照片，各层色彩和一个彩色背景层。现在，着色的作用完成，可以删除各个色彩层了。你也许会奇怪为什么要这么大费周章，为什么不能直接将各个色彩层合并后切去小女孩的部分呢？因为我们在各个层用了不同的混合模式，必须要保持层的独立才能保持层的属性，所以我们才采用了这样的办法。其实，在这里，最简单的法子，就是我们在别的文章中介绍过的“盖印可见图层”的方法。简单来说，就是在最顶上新建一层，然后按住Alt键，从图层菜单中选择“拼合可见图层”，这时新图层中就会出现以下所有可见层。这是个很实用的Photoshop技巧。如果你愿意的话，还可以柔化剪切层的边缘。（图23）
9.剩下的工作主要是为小女孩上色了。单独创建一层为皮肤着色，在填充了肉色之后，将图层混合模式改为“叠加”，图层不透明度降为67％；皮肤上的高光层用正常模式，不透明度为17％；衣服层的模式为正常，不透明度为25％；头发层的图层混合模式为“叠加”，不透明度为54％，还要稍用一点高斯模糊；头发的高光的添加方法和皮肤相似，也要用高斯模糊来消除锯齿；最后，我还在她的衣服上增添了一点花边作为装饰。（图24）
10.最后，拼合人物层和彩色背景层，用仿制图章工具修饰小女孩身边的灰度边缘。用色相/饱和度命令将图像的饱和度提高+11。需要的话，可以用图像>调整>变化命令，做最后的调整。这样，这张照片就完成了。（图25）
小结：加工这类照片的方法，在于平面分解，就是说将图像分为几部分，逐个修补。如果说第一种方法是将图像纵向解剖，寻找问题所在的话，这种方法就是横向的。因为这种图像在通道上找不到明显的问题，所以我们需要采用这种方法。
三、色彩魔法
这一节里，我们要介绍快速给黑白照片上色的方法，也可以说是上一节的补充。（图26）
1.我准备将过程作一个简单的介绍，以使大家有个大致的了解。
新建一个图层，从皮肤开始，用钢笔工具勾勒出脸部的形状，还有胳膊和手，再将路径转化为选区；选取肤色后，填充选区。将图层混合模式改为“正片叠底”。（图27）
2.新建一层，将喷笔压力设为43％，模式设为“叠加”，选择一个很小的笔刷。填充眼白和牙齿。如果想要精细一些的话，可以按照刚才的过程进行。（图28）
3.新建一层，实用钢笔工具，勾出头发的形状。选择合适的发色进行填充。将图层混合模式设为“叠加”，不透明度为43％。为了使发迹线柔和，选择模糊工具进行模糊。如果还是显得生硬，就选择海绵工具，褪去一点颜色。我对这一层使用了高斯模糊，柔化整个图层，使边缘柔和。（图29）
关 键 字：照片处理
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